Driving & pop synthwave track with powerful beat & neo-disco synth. Driving & pop synthwave track with powerful beat & neo-disco synth. Fun break @ 0'47 with hand percussion. Suggested for technology, corporate start-up & fashion.
Rough, punchy & attitude hard-rock sung in Spanish. Facing a Rough, punchy & attitude hard-rock sung in Spanish. Facing a conflictive situation. Male singer, male choir, brass & rock band. Rhythm change & lead distorted electric guitar @ 1'48.歌词
ES:
Tu sutileza
no te esconde bien
Ya ni si quiera
entusiasmas mi parte cruel
Que mas quisieras
que ser un tal dorian grey
Buitres de bien
Debajo de tu vaivén
No quiero
verte más por las calles,
Que dolor
Que me causa tu muerte
No quiero
verte más de maleante
Que es dolor?
si el dolor pasa baby
Son mas de dos
los que quieres vencer
Pero un cuentico
Confunde tu renacer
Crecer distinto y a la
Vez sos tan igual
No puedo ver lo que haz hecho
Con tu piedad
Somos bebés llorando por alcanzar
Un tren que os lleve directo a un altar
Se mueve lento tus ojos color Ámbar
Borran recuerdos para volver a intentar
No quiero
verte más por las calles
Que dolor
que me causa tu muerte
No quiero
verte más de maleante,
que es dolor?
Pero y aveces tu
ya pareces todo olvidar
Pero también soy yo
el que quiere todo ignorar
Y lo sabes tan bien
que prefieres todo ocultar,
Todo te basta ya
Pero y aveces tu
ya pareces todo olvidar
Pero también soy yo
el que quiere todo ignorar
Y lo sabes tan bien
que prefieres todo ocultar,
Y eso no es de admirar
Y si quieres, pues llora.
EN:
Your subtlety
does not hide you well
You don't even
excite my cruel side
What more do you want
Than to be a certain dorian grey
Vultures of good
Underneath your swaying
I don't want
To see you on the streets anymore,
What pain
That your death causes me
I don't want
to see you as a thug anymore
What is pain?
If the pain passes baby
There are more than two
You want to beat
But a little story
Confuses your rebirth
Growing up different and yet
You' re still the same
I can't see what you've done
With your mercy
We are babies crying to reach
A train that will take you straight to an altar
Slowly moving your amber eyes
Erasing memories to try again
I don't want to
see you on the streets anymore
What pain
that your death causes me
I don't want
to see you as a thug anymore,
what is pain?
But sometimes you
already seem all to forget
But it's also me
the one who wants to ignore everything
And you know it so well
that you prefer to hide everything,
Everything is enough for you
But sometimes you
already seem to forget everything
But it's also me
Who wants to ignore everything
And you know it so well
That you prefer to hide everything,
And that's not to be admired
Southern hip-hop blues based on a Native-American rhythm. Confident & Southern hip-hop blues based on a Native-American rhythm. Confident & decided. Slide guitar, harmonica @ 0'50 & hip-hop beat. Suggested for road movies & US documentary.
Hip-hop blues with a touch of trap based on a country blues riff. Hip-hop blues with a touch of trap based on a country blues riff. Upbeat & determined. Slide electric guitar, harmonica & trap beat. Suggested for US travel & documentaries.
Retro big beat in a 60's, 70's UK sound. Intro with brass hook, Retro big beat in a 60's, 70's UK sound. Intro with brass hook, electric bass & wah-wah guitar. Dynamic, driving & propulsive. Brass section, electric guitar & rhythm. Suggested for chase in the city & blaxploitation.
Spirited, confident, energetic. Heavy drums lead into slick section Spirited, confident, energetic. Heavy drums lead into slick section with feelgood vocal samples, launching into drum and bass rhythm with trumpets. Invigorating energy, reminiscent of someone overcoming tough odds, running a marathon or mastering something difficult. Dynamic instrumentation, quiet soft moments conveying a deep emotion, amplifying heavier, explosive moments. Galvanising, upbeat aura illustrated by energetic electronic instrumentation.
Spirited, confident, energetic. Heavy drums lead into slick section Spirited, confident, energetic. Heavy drums lead into slick section with feelgood poppy piano chords, launching into skeletal drum and bass rhythm with heavy bass. Slow riser into dynamic percussion displays a cunning and skilled instrumentation, reminiscent of someone overcoming tough odds, running a marathon or mastering something difficult. Softer moments convey a deep emotion and amplify heavier, explosive moments. Stripped back underscore version.
Rowdy, individualist, carefree. Synths, trumpets and heavy percussion Rowdy, individualist, carefree. Synths, trumpets and heavy percussion fall into bling hip hop era style. Male rapper delivers attuned verses about expensive jewellery, money and women. Muted guitar and heavy percussion create a tense atmosphere, leading to a build up with emotive chord sequence. Clapping leads into drop with house trumpet and rapper singing about throwing money, with an impulsive and show off attitude. Reminiscent of friends out enjoying themselves at a club or casino, a gang of boys and girls living their best life.歌词
Yeah I gotta attitude and im arrogant
you aint got no money oh how embarassing
I got a mary jane billy jean
Rich a milly on the wrist bling bling
my lady a prada from head to toe
she look expensive yeah I know
I got a big bag and these jewels on me
baby please dont drool on me
yeah that 42 cost 1050
bought three of them come spend with me
I got badness and got the game with me
You aint on the team quit playing with me
I know all of the bosses
all of my ladies know all of the ballers
if you keep on faking we pulling you card
got get you a lift with uber so we dont have surprise
Im gonna do what I want
do what I want
do what I want
Yeah who wanna have fun
who wanna have fun
who wanna have fun
I wanna throw all these ones
throw all these ones
throw all these ones
I wanna hit the club go dumb
go spend the bag
Im a show you how to ball out here
throwing it up
blowing these rags
money in the air everywhere
yeah yeah yeah
We making it rain
cos we got the bag
Its money in the air everywhere
yeah yeah yeah
Who wanna ball with me
Who wanna have a bottle war with me
in the club with the money machine
its the light show all of this bling
Sus tripping mop it up
pulling up brand new truck
Im a get it first tell me when its dropping
need a google maps to walk around my closet
42 cost 1050 bought three of them come spend with me
I got badness and got the game with me
You aint on the team quit playing with me
I know all of the bosses
all of my ladies know all of the ballers
if you keep on faking we pulling you card
got get you a lift with uber so we dont have surprise
Rowdy, individualist, carefree. Synths, trumpets and heavy percussion Rowdy, individualist, carefree. Synths, trumpets and heavy percussion fall into bling hip hop era style. Muted guitar and heavy percussion create a tense atmosphere, leading to a build up with emotive chord sequence. Clapping leads into drop with house trumpet. Reminiscent of friends out enjoying themselves at a club or casino, a gang of boys and girls living their best life. Instrumental version.
Rowdy, individualist, carefree. Low bass, claps and snare fall into Rowdy, individualist, carefree. Low bass, claps and snare fall into hip hop rhythm. Muted guitar and heavy percussion create a tense atmosphere, leading to a build up with emotive synth sequence. Clapping leads into drop with harsh percussion. Reminiscent of friends out enjoying themselves at a club or casino, a gang of boys and girls living their best life. Stripped back underscore version.
Impassioned, heavy, rousing. Driving rock drumbeat sets out a Impassioned, heavy, rousing. Driving rock drumbeat sets out a determined rhythm joined by guitar and synth lines creating a raw but focused energy. Male vocals about inspiring others with relentless energy and never compromising. Uplifting aura from the triumphant lyrics and ruthless instrumentation. Chorus brings guitar breakdown and crash cymbals, repeated lyrics about doing better, encouragement and inspiration. Rock drum fills and cacophonous overdriven guitars. Heavy breakdown at 02:33 with sudden breaks and aggressive drumming.歌词
You Look volatile, keeping style, ready to go, You keep lighting fires, you inspire all who you know
You're out front by miles, keeping eye, bringing it home,
There's no second prize, compromise, losers go home.
Don't stop me now, I'm having a ball.
Loud voices in my head are screaming,
You could do better,
You could do better,
You could do better,
Loud voices have no reason screaming,
You could do better,
You could do better,
You could do better now.
You Look volatile, keeping style, ready to go,
You keep lighting fires, you inspire all who you know
You're out front by miles, keeping eye, bringing it home,
There's no second prize, compromise, losers go home.
Impassioned, heavy, rousing. Driving rock drumbeat sets out a Impassioned, heavy, rousing. Driving rock drumbeat sets out a determined rhythm joined by guitar and synth lines creating a raw but focused energy. Determined aura from ruthless instrumentation. Guitar breakdown with repeating crash cymbals. Rock drum fills and cacophonous overdriven guitars. Heavy breakdown at 02:33 with sudden breaks and aggressive drumming. Instrumental version.
Impassioned, heavy, rousing. Driving rock drumbeat sets out a Impassioned, heavy, rousing. Driving rock drumbeat sets out a determined rhythm joined by phasing synth lines creating a raw but focused energy. Male vocals about inspiring others with relentless energy and never compromising. Uplifting aura from the triumphant lyrics and ruthless instrumentation. Chorus brings drum breakdown with crash cymbals, repeated lyrics about doing better, encouragement and inspiration. Stripped back underscore version.
Electrifying, rough, rousing. Echoed drumming sets out a raw live Electrifying, rough, rousing. Echoed drumming sets out a raw live rock energy, seeing a band in an intimate little venue. Overdriven guitar plays through heavy riff inviting male vocals singing about feeling energised and connected to emotion. Built up intensity is released as guitars launch into the chorus at 00:43. Dynamic guitar performance, moving from droning notes to higher stabs. Characteristically rock instrumentation, with toms used to build tension and released by crash cymbals and snares. Robotic vocals at 01:59 conveying a sense of power and charge.歌词
I feel that time has stopped in motion I feel electric in my bones I feel connected to emotion
Keeping my enemies real close You're keeping quiet all you know You'll never tell and show I gotta tell ya You are the one I gotta tell ya You are the one
My feet were always made for moving My soul was always made to groove I'm keeping all the people talking With your attention I can't lose
You're keeping quiet all you know You'll never tell and show I gotta tell ya You are the one I gotta tell ya You are the one From all the tricks they'll never find
You're always keeping bona fide tight lipped You're singing songs they'll never learn You're making cash where they cant earn You side slip Outsmart them every day I gotta tell ya
You are the one. I gotta tell ya You are the one I gotta tell ya You are the one I gotta tell ya You are the one
Electrifying, rough, rousing. Echoed drumming sets out a raw live Electrifying, rough, rousing. Echoed drumming sets out a raw live rock energy, seeing a band in an intimate little venue. Overdriven guitar plays through heavy riff, the built up intensity released as guitars launch into chorus at 00:43. Dynamic guitar performance, moving from droning notes to higher stabs. Characteristically rock instrumentation, with toms used to build tension and released by crash cymbals and snares. Instrumental version.
Loose, sultry, cool. Odd jazzy drumming cushions cool, snappy guitar Loose, sultry, cool. Odd jazzy drumming cushions cool, snappy guitar riff. Long delay and defunct phased feedback creates a trippy and slightly broken feeling, visions of a cool band playing in a humid, basement location. Searing guitar solo at 01:00 instilling a ruthless and fiery rock energy, contrasting the simplistic but upbeat bass melody. Dissonant nature of guitar gives a jangly, off-kilter beauty.
Loose, sultry, cool. Odd jazzy drumming cushions fun bass melody. Loose, sultry, cool. Odd jazzy drumming cushions fun bass melody. Long delay and defunct phased feedback creates a trippy and slightly broken feeling, visions of a cool band playing in a humid, basement location. Stripped back underscore version.
Heavily processed swinging free-form drum break with percussion. Raw Heavily processed swinging free-form drum break with percussion. Raw and gritty with live jazz feel. Perfect for beat makers and producers.
Confident, wild, hot. Laidback rock drumming is juxtaposed by heavy, Confident, wild, hot. Laidback rock drumming is juxtaposed by heavy, dirty guitar. Launch into full and more lively drum sound and cool bass sequence following guitar. Watery keys accentuate the fun, positive melody bolstered by strong, raw guitar chords playing in a classic rock style. Self-assured energy, a group of friends walking down the street in stylish clothes, a heist or montage in an action film.
Confident, wild, hot. Laidback rock drumming transitions into heavy Confident, wild, hot. Laidback rock drumming transitions into heavy percussion with heavy bass. Self-assured energy, a group of friends walking down the street in stylish clothes, a heist or montage in an action film. Stripped back underscore version.
Slow, heavy, raw drum break with bongos and percussion. Some Slow, heavy, raw drum break with bongos and percussion. Some processing to give a old vinyl feel. Perfect for beat makers and producers.
Swagger, attitude and power. Clattering beats, bass and synths Swagger, attitude and power. Clattering beats, bass and synths combine. Determined and confident with a percussive shuffle.
