Reverent, spirited, positive. Wistful guitar melodies assert a Reverent, spirited, positive. Wistful guitar melodies assert a wholesome sense of importance and gratefulness. Male vocals sing about service to God and the church of Christianity. Feelings of redemption, those who have been down on their luck and destitute finding stability in religion. Repetition of chorus conveys sense of working hard and for a good cause.歌词
I’m working on a building, working on a building
Working on a building, For my lord, for my lord
It’s a holy ghost building, its a holy ghost building
A holy ghost building, for my lord, for my lord
If I was sinner I’ll tell you what I’d do
I’d quit all my sinning and I’d work on a building too
I’m working on a building, working on a building
Working on a building, For my lord, for my lord
If I was drunkard, tell you what I’d do
I’d quit all my drinking and I’d work on a building too
I’m working on a building, working on a building
Working on a building, For my lord, for my lord
If I was a preacher I tell you what I’d do
I’d keep on preaching and I’d work on a building too
I’m working on a building, working on a building
Working on a building, For my lord, for my lord
It’s a holy ghost building, its a holy ghost building
Uplifting, friendly, positive. Bright chord sequence with confident Uplifting, friendly, positive. Bright chord sequence with confident male vocal singing about new beginnings, shining bright and seeing the world as a colourful vibrant place. Steady pace and happy vocal performance convey a positive feeling. Unabashed and unrestrained feelings of cheerfulness create an inspirational positive energy. Gradual build up moves into exciting ascending scale at 02:36 back into chorus with renewed vigour.歌词
It’s been a long wait but the time has comeIt’s finally hereYou can turn the pageStart a newIt begins right here Don’t run away run awayPush against the grain keep the world spinning in your wakeOh you’re weird and you’re wonderfulCome shine bright with me it’s a technicolor lifeJust wait and see Come on let’s goCome on let’s goIt’s gonna be a good day good dayIt’s gonna be a good dayCome and let goCome and let goIt’s gonna be a good dayit’s gonna be a good day good day Slow it rightNow don’t give in to fearYou got it on the ropesKeep it going ’til it’s disappearedStep insideJust dive in the love you’ve made yeah there’s plenty more left to giveNo you can’t tame the stormBut just wait and the clouds will clearIt’s a technicolor life just wait and see Come on let’s goCome on let’s goIt’s gonna be a good day good dayIt’s gonna be a good dayCome and let goCome and let goIt’s gonna be a good dayIt’s gonna be a good day good day Here we go againHere we go again just live for todayHere we go againHere we go again keep riding the wave Here we go againHere we go again come on seize the todayHere it comesHere it comes Come on let’s goCome on let’s goIt’s gonna be a good day good dayIt’s gonna be a good dayCome and let goCome and let goIt’s gonna be a good dayIt’s gonna be a good day good day
Eerie, brave, daunting. Repeated muffled brass scale sets out an Eerie, brave, daunting. Repeated muffled brass scale sets out an intimidating energy, joined by determined bass sequence. A heroic energy, individuals that do not give up until evil is destroyed. Stripped back underscore version.
Eerie, brave, daunting. Monstrous dissonant note peels off into a Eerie, brave, daunting. Monstrous dissonant note peels off into a dark landscape, repeating like a deformed war trumpet. Sudden chattering percussion and repeated brass scale set out an emboldened energy. Lead melodies play through a relentlessly triumphant sequence, representative of warriors who will never give up.
Mysterious, explorative, daunting. Slow organic strings set out a Mysterious, explorative, daunting. Slow organic strings set out a sharp rhythmic sequence with light percussion. Piano and bass arpeggiation supports a feeling of build up, reminiscent of a slow journey through a dark and strange forest area. Light bell melody adds a tinge of fantasy and uncertainty. Percussion works itself into a heavy march, disappearing as melody climaxes at 01:51. Slow rumbling drums infer a daunting and scary force at work.
Mysterious, explorative, daunting. Slow organic strings set out a Mysterious, explorative, daunting. Slow organic strings set out a sharp rhythmic sequence. Bass arpeggiation supports a feeling of build up, reminiscent of a slow journey through a dark and strange forest area. Striding string melody adds to the feeling of motion, driving forward into a mystic location. Bass disappears a melody reaches a climax. Stripped back underscore version.
Urgent, very fast, sinister & warlike. Drums & traditional Korean Urgent, very fast, sinister & warlike. Drums & traditional Korean percussion: Samulnori, puk, janngu, jing, kkwaenggari. Break @ 1'12. Suggested for k-drama, action & pursuit scene with suspense.
Suspenseful. Almost military march. Solemn, martial, disturbing, Suspenseful. Almost military march. Solemn, martial, disturbing, percussive & dark. Samulnori, puk, jangu, jing, fx alarm @ 0'50. Suggested for k-drama, percussion underscore, tv series & games.
Post-classical. Sad & haunting with emotion. Piano & string textures. Post-classical. Sad & haunting with emotion. Piano & string textures. Long minimalist progression & string ensemble @ 1'08.
Post-classical. Introspective, deep & lonely. Synth layers, FX, low Post-classical. Introspective, deep & lonely. Synth layers, FX, low piano & clarinet. Moving finale @ 3'33 with lead alto.
Sinister, desolate, melancholic. Euphoric drawling notes and sombre Sinister, desolate, melancholic. Euphoric drawling notes and sombre male vocals illustrate a dark situation, devoid of hope. Swelling strings and percussion build into a slow marching rhythm reminiscent of a desolate vista, a once beautiful place ravaged by carelessness or villainy. Build up with austere piano toward conclusion.
Sinister, desolate, melancholic. Euphoric drawling notes illustrate a Sinister, desolate, melancholic. Euphoric drawling notes illustrate a dark situation, devoid of hope. Swells of strings and percussion help to build a momentum amidst the shadowy ambience, a slow marching rhythm. Visions of a desolate vista, a once beautiful place ravaged by carelessness and villainy. Build up with austere piano toward conclusion. Instrumental version.
Sinister, desolate, melancholic. Euphoric drawling notes illustrate a Sinister, desolate, melancholic. Euphoric drawling notes illustrate a dark situation, devoid of hope. Swelling strings help to build momentum amidst the shadowy ambience, a slow marching rhythm. Visions of a desolate vista, a once beautiful place ravaged by carelessness and villainy. Build up with austere piano toward conclusion. Stripped back underscore version.
Hopeful, explorative, upbeat. Wondrous xylophone sequence inspires Hopeful, explorative, upbeat. Wondrous xylophone sequence inspires feelings of positivity, supported by light percussion and clarinet. Excited energy as instruments begin to work alongside one another, visions of a slowly growing city or community building a utopia. Innocent energy, a feeling of awe at surroundings and a desire to explore the world. Stick percussion and growing ensemble at 01:57 builds to a robotic riser.
Hopeful, explorative, upbeat. Piano and xylophone set out a positive Hopeful, explorative, upbeat. Piano and xylophone set out a positive sequence. Excited energy as instruments begin to work alongside one another, visions of a slowly growing city or community building a utopia. Innocent energy, a feeling of awe at surroundings and a desire to explore the world. Stripped back underscore version.
Hopeful, explorative, upbeat. Piano and xylophone set out a positive Hopeful, explorative, upbeat. Piano and xylophone set out a positive sequence alongside light, pacy percussion. Excited energy as instruments begin to work alongside one another, visions of a slowly growing city or community building a utopia. Innocent energy, a feeling of awe at surroundings and a desire to explore the world. Stripped back underscore version.
Cool, smooth, reserved. Dulcet keys set out a relaxed but thoughtful Cool, smooth, reserved. Dulcet keys set out a relaxed but thoughtful atmosphere, driven by jazzy double bass riff. Subtle brush drum performance introduces momentum in a calm and collected manner, brass instruments fringe instrumentation with a dormant passion that is released at 00:50. Soft drum fill shifts into a rising embrace between saxophone and trumpet, illustrating a pure but restrained soulfulness. Reminiscent of a dimly lit jazz bar or a beautifully furnished modern lounge in a tower block apartment, instrumentation conveys an astute coolness.
Cool, smooth, reserved. Jazzy double bass riff sets out a thoughtful Cool, smooth, reserved. Jazzy double bass riff sets out a thoughtful but determined atmosphere. Subtle brush drum performance introduces momentum in a calm and collected manner. Soft drum fill shifts into a more soulful sequence. Reminiscent of a dimly lit jazz bar or a beautifully furnished modern lounge in a tower block apartment, instrumentation conveys an astute coolness. Stripped back underscore version.
Cool, smooth, reserved. Dulcet keys set out a relaxed but thoughtful Cool, smooth, reserved. Dulcet keys set out a relaxed but thoughtful atmosphere, driven by jazzy double bass riff. Subtle brush drum performance introduces momentum in a calm and collected manner, piano fringes instrumentation with a dormant aura that is released at 00:50. Soft drum fill shifts into an embrace between bell keys and piano. Meandering piano solo at 01:17 further supporting the cool jazz aesthetic. Reminiscent of a dimly lit jazz bar or a beautifully furnished modern lounge or tower block apartment, instrumentation conveys an astute coolness. Stripped back underscore version.
Impassioned, heavy, rousing. Driving rock drumbeat sets out a Impassioned, heavy, rousing. Driving rock drumbeat sets out a determined rhythm joined by guitar and synth lines creating a raw but focused energy. Male vocals about inspiring others with relentless energy and never compromising. Uplifting aura from the triumphant lyrics and ruthless instrumentation. Chorus brings guitar breakdown and crash cymbals, repeated lyrics about doing better, encouragement and inspiration. Rock drum fills and cacophonous overdriven guitars. Heavy breakdown at 02:33 with sudden breaks and aggressive drumming.歌词
You Look volatile, keeping style, ready to go, You keep lighting fires, you inspire all who you know
You're out front by miles, keeping eye, bringing it home,
There's no second prize, compromise, losers go home.
Don't stop me now, I'm having a ball.
Loud voices in my head are screaming,
You could do better,
You could do better,
You could do better,
Loud voices have no reason screaming,
You could do better,
You could do better,
You could do better now.
You Look volatile, keeping style, ready to go,
You keep lighting fires, you inspire all who you know
You're out front by miles, keeping eye, bringing it home,
There's no second prize, compromise, losers go home.
Impassioned, heavy, rousing. Driving rock drumbeat sets out a Impassioned, heavy, rousing. Driving rock drumbeat sets out a determined rhythm joined by guitar and synth lines creating a raw but focused energy. Determined aura from ruthless instrumentation. Guitar breakdown with repeating crash cymbals. Rock drum fills and cacophonous overdriven guitars. Heavy breakdown at 02:33 with sudden breaks and aggressive drumming. Instrumental version.
Impassioned, heavy, rousing. Driving rock drumbeat sets out a Impassioned, heavy, rousing. Driving rock drumbeat sets out a determined rhythm joined by phasing synth lines creating a raw but focused energy. Male vocals about inspiring others with relentless energy and never compromising. Uplifting aura from the triumphant lyrics and ruthless instrumentation. Chorus brings drum breakdown with crash cymbals, repeated lyrics about doing better, encouragement and inspiration. Stripped back underscore version.
Emotive, explosive, raw. Guitar plays through a downbeat sequence Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling, male vocals sing about losing control in an impassioned manner. A heavy rock style coupled with a meaningful sensibility. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Vocals goad and entice with commands to break the rules. Floaty synth keys support emotive nature. Confident rock energy from slow tempo and commanding vocals.歌词
You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
The fever will rage and sweat out the blame Lovers less guilty by changing their name
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child You're losing control every day The world still revolves You're just a mistake
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
I've been here now long enough I've been here too long I've been here now long enough to get this all wrong
Make your move and execute with style Break the rules Invisible man child
Emotive, explosive, raw. Guitar plays through a downbeat sequence Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling. A heavy rock style coupled with a meaningful sensibility. Steady tempo driving forward in a confident, marching pace. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Overdriven guitars hit with a fiery power, contrasted by floaty keys supporting the emotive nature. Instrumental version.
Emotive, explosive, raw. Guitar plays through a downbeat sequence Emotive, explosive, raw. Guitar plays through a downbeat sequence with a post-rock feeling. Steady tempo driving forward with a confident, marching pace supported by light percussion. Anti-climax bolsters real launching into chorus at 01:12, emotional catharsis. Overdriven guitars hit with a fiery power, contrasted by floaty keys supporting the emotive nature. Stripped back underscore version.
Explosive, hopeful, energetic. Long drum fill conveys a ruthless Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation as male vocals sing about listening to your heart and feeling something new running through your veins. Explosive chorus with lyrics repeating about being ready and waiting for whatever may come. Singing about fire and flames conjures images of hardship, struggle and conflict but driving energy conveys a determination.歌词
I think I'm ready for it Whatever comes before me
I think I'm ready for it Through fire and flames and fury
I think I'm ready for it It’s time to stop pretending
I think I'm ready for it Refrain is at an ending
I’m waiting for a message from my heart To tell me what to do and where to start There’s something new coursing through my veins There’s an energy flowing through my I can feel it
My hands are shaking legs are trembling and I love it I'm winding up and I'm ready to let go There’s pressure building and
Explosive, hopeful, energetic. Long drum fill conveys a ruthless Explosive, hopeful, energetic. Long drum fill conveys a ruthless energy, then supported by gritty overdriven guitar riffs and crash cymbals. Falls into subtle verse with sparse instrumentation that builds a tense and menacing atmosphere. Explosive chorus with guitar stabs and heavy drumwork. Instrumental version.
Fiery, confident, trippy. Overdriven, flanged guitar sets out a Fiery, confident, trippy. Overdriven, flanged guitar sets out a twanging rock hook, met by slow and echoing drum groove and supportive bass. Flange and delay effects gift a psychedelic stadium rock vibe, like a trippy performance by a legendary rock guitarist. Wavering organ at 01:47 accentuates the melodic elements, building tension. Clattering percussion builds a slow and assured momentum. Heavy rock catharsis at 02:46 with deep commanding guitar hook. A triumphant feeling of retribution or redemption in the austere but confident tone.
Fiery, confident, trippy. Slow and echoing drum groove slide along Fiery, confident, trippy. Slow and echoing drum groove slide along with bass notes. Flange and delay on drums gift a slightly psychedelic feeling, whilst percussion builds a slow and assured momentum. Long silence ended by muffled percussion at 02:00, launching back into hook sequence. Stripped back underscore version.
Avant-garde pop/folktronica ballad with a touch of African Avant-garde pop/folktronica ballad with a touch of African world-music. Progression. Intimate yet lively. Female singer, kalimbra, drum & claps.歌词
UnrevealingWe’ve kept our love on a tape Frozen morning By the lake where we skate Silver wellspring This was way more than just a fling I gave my dreamsYou’re the guardian of this house now Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Unrevealing We’ve kept our love on a tape I’ve heard and seen More than one take Precious offspring You will arrive in May My love my king You’re the guardian of this house now
Ouuh Ouuh Ouuh Ouuh You’re the guardian of this house You’re the guardian of this house now
Bossa Nova typical of Brazil in the early 60's. Tender, warm & Bossa Nova typical of Brazil in the early 60's. Tender, warm & charming with a touch of melancholy. Female singer, Brazilian guitar, shaker & flugelhorn @1'12.歌词
Como não recordar de nós dois, quanta saudade
Tantas lembranças tão antigas tão presentes
Que não posso esquecer, como poderia
Nao tem jeito não
Mesmo se eu quisesse renegar, anos depois
Cada passo lado a lado
Cada laço assim atado
Eu não poderia deslembrar jamais
Tem jeito não
Tempo passou pra nós dois
Mas ficou um gosto bom
Tempos depois pra nós dois
Tempo bom que passou
Que passou que ficou
Typical Bossa Nova from the 60's. tender, warm & charming with a Typical Bossa Nova from the 60's. tender, warm & charming with a touch of melancholy. Lead fuglehorn, guitar & light Brazilian percussion.
