Quaint, emotional, loving. Bittersweet acoustic guitar and banjo Quaint, emotional, loving. Bittersweet acoustic guitar and banjo intertwine with each other. Male vocal sings of forgetting mundane worries, living for love and making the most of a special connection. Gentle, personable vocals create a heartwarming atmosphere. Lyrics suggest giving up trivial aspects of life in favour of embracing love and freedom. Organic instrumentation illustrate a real, natural passion.歌词
Drown me out, I can’t hear you now My body left my heart when you left the room Don’t look at the time, don’t look at your phone Just follow me outta here into the unknown Help me waste our time
I’m calling you up, I’m telling you now That I can’t go on this way Hey hey hey, what do you say to this You and I forever lost in us Here comes the sun And honey we’re still young
Help me out, I can’t bear this now The loneliness has broken me in two Am I fool? Am I a fool for you? The only thing that keeps me here Is knowing there’s a chance that you could Help me waste our time
I’m calling you up, I’m telling you now That I can’t go on this way Hey hey hey, what do you say to this You and I forever lost in us Here comes the sun And honey we’re still young
I’m calling you up, I’m telling you now That I can’t go on this way Hey hey hey, what do you say to this You and I forever lost in us Here comes the sun Here comes the sun And honey we’re still young
Quaint, emotional, meaningful. Bittersweet acoustic guitar and banjo Quaint, emotional, meaningful. Bittersweet acoustic guitar and banjo intertwine with each other. Ascending, echoing piano riff into warm chords instils a deeper sense of love and affection. Melancholy chord sequence creates a pained but heartwarming atmosphere. Instrumental version.
Quaint, emotional, meaningful. Bittersweet acoustic guitar and banjo Quaint, emotional, meaningful. Bittersweet acoustic guitar and banjo intertwine with each other. Melancholy chord sequence creates a pained but heartwarming atmosphere. Stripped back underscore version.
Upbeat, fiery & festive salsa/jazz. Male vocals, latin percussion, Upbeat, fiery & festive salsa/jazz. Male vocals, latin percussion, male choir. Piano, bass, percussions & brass solo @ 2'22.歌词
ES:
Seguimos por buen camino y cimarroneando
Con la orquesta Chaworó comunicando
No hay tiempo que perder
Ni espacio para el atraso
Así que proyecta el éxito
y evita el fracaso
Vengan, traemos música
El mejor antídoto
Para el cuerpo humano
Venga traemos música
El mejor antídoto
Para el cuerpo humano
Coro 1: venga traemos música
El mejor remedio
Para el cuerpo humano
Coro 2: venga traemos música
Coro 3: ven a vacilar con la música
EN:
We continue on the right track and cimarroneando
With the Chaworó orchestra communicating
There is no time to lose
Nor room for delay
So project success
And avoid failure
Come, we bring music
The best antidote
For the human body
Come, we bring music
The best antidote
For the human body
Chorus 1: Come we bring music
The best remedy
For the human body
Chorus 2: come we bring music
Chorus 3: come and swing to the music
Translated with www.DeepL.com/Translator (free version)
Happy, festive & lively salsa. Male singer, Latin percussion Happy, festive & lively salsa. Male singer, Latin percussion including bongo & clave, brass section, male choir & piano.歌词
ES:
Estamos cumpliendo 23
Estamos de aniversario
Estamos cumpliendo años
La familia Chaworó
Estamos cumpliendo 23
Estamos de aniversario
Estamos cumpliendo años
La familia Chaworó
Te invitamos a esta fiesta
Aprovecha la ocasión
Pa' que goces un montón
Ven que Chaworó ya comienza
Te invitamos a esta fiesta
Aprovecha la ocasión
Pa que goces un montón
Ven que Chaworó ya comienza
Salsa dura con Latin Jazz
Culo e' puya con quitipla
Son montuno con chachachá
Y los tambores bata
Coro 1: Chaworo celebra su aniversario
Ven pa ca que esta rumba es sin horario
Coro 2: 23, 23 dando batalla luchando y seguimos de frente
Vente vente que esta sabroso mi pueblo y bailando mi gente
Coro 3: Chaworó celebra su aniversario
23 con harmonía
Y el patrón de mi tambó
Con lo bueno de la vida
Esta fiesta se formó
El fogón del sentimiento
Siempre estará encendido
Porque aqui sobran los motivos
Para seguir vivos
Te digo yo
Coro 2: 23, 23 dando batalla luchando y seguimos de frente
Vente vente que esta sabroso mi pueblo y bailando mi gente
Mas de 20 años
Tocando por todas partes
Disfrutando de este arte
Que la música nos da
Le pedimos a Los Santos
que nos den mucha salud
Para que lo goces tu
cuando escuches este mambo
Mambo mambo mambo para Babalú
Fiesta a la venezolana
Monten las sopas las hallacas y las empanadas
Hay un run-run en la calle
Estamos de cumpleaños
Y ven pa' acá !
EN:
We are turning 23
It' s our anniversary
we are celebrating our birthday
The Chaworó family
We are turning 23
We are celebrating our anniversary
We are celebrating our birthday
The Chaworó family
We invite you to this party
Take advantage of the occasion
So that you enjoy a lot
Come that Chaworó already begins
We invite you to this party
Take advantage of the occasion
For you to enjoy a lot
Come that Chaworó already begins
Salsa dura with Latin Jazz
A lot of puya with quitipla
Son montuno with chachacha
And the bata drums
Chorus 1: Chaworo celebrates its anniversary
Come here, this rumba is without timetable
Chorus 2: 23, 23 giving battle fighting and we keep going forward
Come on come on come on my town is tasty and my people is dancing
Chorus 3: Chaworo celebrates its anniversary
23 with harmony
And the patron saint of my tambó
With the good things of life
This party was formed
The bonfire of feeling
Will always be lit
Because here there are plenty of reasons
To stay alive
I tell you
Chorus 2: 23, 23 giving battle fighting and we keep going forward
Come on come on come on my town is tasty and my people is dancing
More than 20 years
Playing everywhere
Enjoying this art
That music gives us
We ask The Saints
That they give us a lot of health
For you to enjoy it
When you listen to this mambo
Mambo mambo mambo mambo for Babalú
Venezuelan style party
Prepare the soups, the hallacas and the empanadas
There's a rumble in the street
We're having a birthday party
And come over here !
Classy, carefree & smooth salsa/chachacha. Lead flute, Latin Classy, carefree & smooth salsa/chachacha. Lead flute, Latin percussion with cowbell & piano. Male choir & male singer @ 2'00.歌词
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Sumando muchas amistades
Se me quitan los pesares
Porque la vida es una fiesta
Y siempre voy a celebrar
Por eso canto
Porque el que canta
sus males espanta
Esto no es casualidad
Enamorado de la vida
Mi tambor siempre me inspira
Y Poleo a mi me dice
Cucucucuprá, Cucucucuprá...
Mi abuelita así decía
Toca las maracas mi nieto
Con la santa trinidad
Repica maracas
Coro 2: Y nunca pa atras no no no
Donde estas tu camará?
Caminando por la vida
Deja tu huella al andar
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Adding many friendships
I'm taking away my sorrows
Because life is a party
And I'll always celebrate
That's why I sing
Because those who sing
Their evils scare away
This is no coincidence
In love with life
My drum always inspires me
And Poleo tells me
Cucucucucuprá, Cucucucucuprá...
My grandmother used to say
play the maracas my grandson
With the holy trinity
Play the maracas
Chorus 2: And never backwards no no no no
Where are you my friend?
Walking through life
Leave your footprint as you walk
Chorus 1: Through life I'm walking forward and never backwards no no no no
Alternate without vocal. Classy, carefree & smooth salsa/chachacha. Alternate without vocal. Classy, carefree & smooth salsa/chachacha. Lead flute, latin percussion with cowbell & piano. For exotic lounge & party.
Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso flute solo @1'45, Latin percussion, piano, male choir & male singer @3'28.歌词
ES:
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Abran paso
Que yo vengo como el tren
Y amarra bien en tu zapato
Vamos a bailar
Mi vida
Que no hay vuelta atrás
No es mentira
Todo lo que quiere es lo que pide
y eso mismo es lo que yo le doy
Con Chaboró
Baila que baila
Goza que goza
Que esta noche estamos' en fiesta
Candela que quema
Para la niña y pa la señora
Soy feliz
Coro 1: Por la vida voy echando pa'lante y nunca pa atras no no no
Coro 2: Y nunca pa atras no no no
Bueno mi gente,
Tenemos una sola vida
Disfrútenla !
EN:
Chorus 1: Through life I'm going forwards and never backwards no no no no
Chorus 2: And never backwards no no no no
Make way
I'm coming like a train
And tie well in your shoe
Let's go dancing
My life
There's no turning back
It's not a lie
All you want is what you ask for
And that's what I give you
With Chaboró
Dance that dances
Enjoy and enjoy
That tonight we're partying
Fire that burns
For the girl and for the lady
I'm happy
Chorus 1: I'm going through life moving forward and never backwards no no no no
Alternate without vocal. Elegant, cheerful & easy Latin Alternate without vocal. Elegant, cheerful & easy Latin jazz/chachacha version. Virtuoso solo flute @1'45, Latin percussion & piano.
Colourful, festive & definitely in a good mood. Cuban cuatro, Latin Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).歌词
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & Fulia con Conga (traditional Venezuelan rhythm). Unifying, spicy & extravert with a strong rootsy influence. Afro-Cuban percussion, male singer & choir. Full band with brass section @ 1'33.歌词
ES:
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
La Fulia se presenta con su ritmo original
Va jugando con la clave
Repicando en el compás
Palo endoe
Tierra de tambor
Y con su sabor
Suena el campanario, san juan del congo
Prima cruzado y pujao
Van derrochando mello
La cultura de mi pueblo casi nadie la olvidao'
Tambores de libertad
Fue Curieto el precursor
desde 1721 esta sonando mi tambor
Hay ambiente en el escenario con el ritmo del tambor ya estoy gozando
Coro 1: Alcánzame si puedes que ya no ando a pie
Ahora si vengo rapidito
Montadito en TGV
Que lo baile todo el mundo,
Que lo goce el japonés
Desde Francia para el mundo
Voy cantado cheveré
La comparsa que es de Cuba
Sin barrera de cultura
Coro 2: que ya no ando a pie
Coro 3: oye no quiero cuento
Llegó el momento con Chaworó
Coro 4: esto no se va a parar esto sigue
Con la orquesta Chaworó
Coro 5: me llevo los tambores nos vemos después
Me llevo los tambores nos vemos después
EN:
There is an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
La Fulia is presented with its original rhythm
Playing with the clave
Tapping on the beat
Palo endoe
Land of the drum
And with its flavor
Sounds the bell tower, san juan del congo
Prima cruzado and pujao
They go splurging melao
The culture of my people almost no one has forgotten it
Drums of freedom
Curieto was the precursor
Since 1721 my drum has been beating
There's an atmosphere on the stage with the rhythm of the drum I'm already enjoying it
Chorus 1: Reach me if you can I'm not walking anymore
Now I'm coming fast
I'm on a TGV
Let the whole world dance to it,
Let the Japanese enjoy it
From France to the world
I'm singing cheveré
The comparsa that is from Cuba
Without a barrier of culture
Chorus 2: I don't walk on foot anymore
Chorus 3: hey I don't want any stories
The time has come with Chaworó
Chorus 4: this is not going to stop this goes on
With the Chaworó orchestra
Chorus 5: I'll take the drums I'll see you later
I'll take the drums I'll see you later
Underscore version. Percussive, spicy & extravert with a strong Underscore version. Percussive, spicy & extravert with a strong rootsy influence. Fulia con Conga (traditional Venezuelan rhythm). Afro-Cuban percussion. Full band with brass section @ 1'33.
Wandering, walking & loud. Inspired by the march of Latin American Wandering, walking & loud. Inspired by the march of Latin American migrants to the United States. Tremolo electric guitar, Hammond organ & rhythm. Suggested for Latin-American investigation & narco series.
Emotive, nostalgic, grand. Anticipatory power chords softened by Emotive, nostalgic, grand. Anticipatory power chords softened by post-rock, euphoric guitar sequence. Sparkling picked strings spread out over vast landscape. Meaningful percussive cue at 01:52 followed by gradually building indie rock guitar sequence with muted chords. Organic strings convey classical, traditional feeling with undeniable forward momentum.
Anticipating & suspended but factual. Analogic synth & electronic Anticipating & suspended but factual. Analogic synth & electronic rhythm. Suggested for current affairs in the internet world.
Pop rock, rock ballad. Catchy & upbeat synth sequence with electric Pop rock, rock ballad. Catchy & upbeat synth sequence with electric guitar & drums. Confidence & progression feeling. Build up gradually. Suggested for Daytime TV & lifestyle.
Emotive, melancholic, poignant. Suspenseful, brooding piano drifts Emotive, melancholic, poignant. Suspenseful, brooding piano drifts engimatically. Light mallets bring a mysterious, investigative feel. Delicate plucked textures build a suspended feel with glitchy synth textures and expressive strings. Haunting and heartfelt contemporary classical cue with a sense of yearning, of seeking the answers.
Emotive, melancholic, poignant. Light mallets bring a mysterious, Emotive, melancholic, poignant. Light mallets bring a mysterious, investigative feel. Delicate plucked textures build a suspended feel with glitchy synth textures and expressive strings. Haunting and heartfelt contemporary classical cue with a sense of yearning, of seeking the answers. Stripped back underscore version.
Intriguing, atmospheric, brooding. South American inspired Intriguing, atmospheric, brooding. South American inspired traditional music, with a narcoculture flavour and mysterious yet confident lead guitar melody. Brass, piano, classical and electric guitars and percussion.
Intriguing, atmospheric, brooding. Alternative, stripped back Intriguing, atmospheric, brooding. Alternative, stripped back version. South American inspired traditional music, with a narcoculture flavour. Brass, piano, classical and electric guitars and percussion.
Quirky, upbeat, fun. Confident bass guitar is joined by positive Quirky, upbeat, fun. Confident bass guitar is joined by positive brass and propulsive electronic beats. Playful melodica and synth melodies pulse and weave with bass guitar and rousing brass melodies. Mysterious, atmospheric moments build to uplifting, celebratory peaks. Kooky and dynamic cue.
Quirky, upbeat, fun. Confident bass guitar is joined by propulsive Quirky, upbeat, fun. Confident bass guitar is joined by propulsive electronic beats. Playful bass guitar weaves through mysterious, atmospheric moments build to uplifting, celebratory peaks. Kooky and dynamic cue. Stripped back underscore version.
Quirky, upbeat, fun. Confident bass guitar is joined by positive Quirky, upbeat, fun. Confident bass guitar is joined by positive brass. Playful melodica and synth melodies pulse and weave with bass guitar and rousing brass melodies. Mysterious, atmospheric moments build to uplifting, celebratory peaks. Kooky and dynamic cue. Stripped back underscore version.
Quirky, upbeat, fun. Confident bass guitar is joined by positive Quirky, upbeat, fun. Confident bass guitar is joined by positive brass and propulsive electronic beats. Playful melodica and synth melodies pulse and weave with bass guitar and rousing brass melodies. Kooky and dynamic cue.
