Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.歌词
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Explicit. Fiery, upbeat & sensual reggaeton-pop sung in Spanish. What Explicit. Fiery, upbeat & sensual reggaeton-pop sung in Spanish. What a good night that was. Male rap singer, male backing vocals, auto-tune, synth, sampling & electronic percussion.歌词
ES:
Ella después de la disco se calentó
En medio de la noche salió el sol
Y yo probé sus labios
Y ahí mismo quedé
Y la verdad no sé
Explicarte cómo fue
Si fue su cara o fue su pelo
Yo solo sé que quiero repetir de nuevo
Que bien lo hicimos esa noche
Nos devoramos en el coche
Y tú con tu perfume Dolce
Y nos pasamos fue un derroche
Toda la noche
Hicimos el amor después de la tertulia
De apellido Caliente, de nombre Julia
Una princesa aunque no venga de Asturias
Pero que fue salvaje controlar sus uñas
Y nos devoramos en el asiento trasero
La pasión a full los sentimientos bajo cero
Estaba mojada parecía un aguacero
Dice que soy su juguete y no quiero salir del juego
Y yo quiero repetir, no hay otra que le pueda competir
Cuando yo me voy ella me hace venir
Que bien lo hicimos esa noche
Nos devoramos en el coche
Y tú con tu perfume Dolce
Y nos pasamos fue un derroche
Toda la noche
Oooooooo, ooooo
Contigo mami lo repito
Una y otra vez
Oooooooo, oooooo
Tu eres la que me vira el mundo
Y me pones al revés
Oooooooo, ooooo
No quiero que te vallas
Ay mami quédate
Oooooooo, oooooo
Si tú eres la manzana
Entonces yo te morderé
Me lo hizo en la escalera
Me lo hizo en la piscina
Me lo hizo dentro del auto
Esa mujer es divina
Me gusta como camina
Me gustan toa' sus locuras
Yo con ella me caso
Está demasiado dura
Que bien lo hicimos esa noche
Nos devoramos en el coche
Y tú con tu perfume Dolce
Y nos pasamos fue un derroche
Toda la noche
Oooooooo, ooooo
No quiero que te vallas
Ay mami quédate
Oooooooo, oooooo
Si tú eres la manzana
Entonces yo te morderé
EN:
She got heated up after the disco
In the middle of the night the sun came out
And I tasted her lips
And right there I stayed
And the truth is I don't know
I can't tell you how it was
If it was her face or her hair
I only know that I want to repeat it again
What a good time we had that night
We devoured each other in the car
And you with your Dolce perfume
And we went on and on it was great
All night long
We made love after chatting
Her last name Caliente, her first name Julia
A princess though she didn't come from Asturias
But it was wild to control her nails
And we devoured each other in the back seat
Passion at full throttle feelings below zero
She was wet like a storm
She says I'm her toy and I don't want to get out of the game
And I want to repeat, there's no other that can compete with her
When I leave she makes me come
What a good time we had that night
We devoured each other in the car
And you with your Dolce perfume
And we went on and on it was great
All night long
Oooooooo, ooooo
With you mami I'd repeat it
Over and over again
Oooooooo, oooooooo
You're the one that flips my world
And you turn me upside down
Oooooooo, oooooo
I don't want you to go away
Oh mami stay right here
Oooooooo, oooooooo
If you're the apple
Then I'll bite you
She did it to me on the stairs
She did it to me in the pool
She did it to me in the car
That woman is divine
I like the way she walks
I like all her crazy ways
I'll marry her
She's too good
What a good time we had that night
We devoured each other in the car
And you with your Dolce perfume
And we went on and on it was great
All night long
Oooooooo, oooooo
I don't want you to go away
Oh mami stay right here
Oooooooo, oooooooo
If you're the apple
Then I'll bite you
Tell me where can I go no bow and arrow now how should I go ?
come back with the fire and go where lovers go get on it, get on it
oh the river so calm it was the day before not far from home
And now make it glow go break the rhythm now show me how to go
I feel like i’m a stranger
an imposter playing all round the world keep an eye on the sly moon
walking high on a hot air balloon
Tell me where can I go ? no bow and arrow now how should I go ?
come back with the fire and go where lovers go get on it, get on it
the big star so bright
will light the road ahead down to the high golden gate
And now make it shower
with sparkle silver dust summer moon celebrate yeah
I feel like i’m a stranger
an imposter playing all round the world keep an eye on the sly moon
walking high on a hot air balloon
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass and male vocals bragging about strength and prowess. Rap vocal style conveys self-assured atmosphere. Rise into EDM drop at 00:37 with trippy synths and large bass. Superhero energy from lyrics about a superior power and bravery. Hype rap verse at 01:26 displays talent through pacy delivery of lyrics about not needing any help or validation.歌词
I’m the bigger man, I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man,
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man, I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can, I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
Started low,
Here we go, Yeah,
Check my facts
Speak and act,
Wow, From the dust To the crown, Yeah,
Take it or leave it,
Ain’t gonna let no one in my head, yeah,
Cause I’ll be flying like I mean it man (I mean it!),
Saving all the ones who said I couldn’t be me,
Used to have a lot of doubt about myself (facts),
But now I shining brighter than you’ll ever be.
I’m the bigger man,
I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man.
Bring it to fruition
Making digits every minute, damn.
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
I don’t give a damn,
Cause I know,
Got a chip on my back,
Giving you facts,
Right off the bat, It’s an attack,
Started by me, I can do that,
I don’t need no validation from you, I am a king,
You better bow, I don’t see no enemies,
They went away like a cloud,
I’m in my zone, I’m in my zone, Before you talk,
Look where I’m at, Better look up, Yea!
Cause I'll be flying like I mean it, man (I mean it!),
I don’t need to cool it down, I make it clear,
Cruising ‘cause I’m always in my element,
Getting what I want,
‘Cause what I do is what I said I will.
I’m the bigger man,
I’m the bigger man (yea),
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man (yea),
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything I do it ‘cause I said I can,
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Stripped back underscore version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Launch into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Rise into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Stripped back underscore version.
Sentimental, lively & smooth pop sung in Spanish & English. Sentimental, lively & smooth pop sung in Spanish & English. Better-off alone than with bad company. Female singer, electric piano, synth & electronic percussion.歌词
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
Explicit. Sentimental, lively & smooth pop sung in Spanish. Explicit. Sentimental, lively & smooth pop sung in Spanish. Better-off alone than with bad company. Female singer, electronic piano, synth & electronic percussion.歌词
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
Solemn, emotive, honest. Sorrowful acoustic guitar is joined by Solemn, emotive, honest. Sorrowful acoustic guitar is joined by passionate male choral voices. Lyrics present an individual in deep sadness, expressing feelings of isolation and mental anguish. Shaking voice and impassioned tone illustrate a deeply tear-jerking energy, lending itself to feelings of forgiveness and redemption. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone.歌词
I am a soul for sale Walking inside a maze I am a hidden trail
Lost in myself for days It’s not the life I choose
Solemn, emotive, honest. Sorrowful acoustic guitar presents an Solemn, emotive, honest. Sorrowful acoustic guitar presents an atmosphere of austere sadness. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone. Instrumental version.
Solemn, emotive, honest. Sorrowful acoustic guitar presents an Solemn, emotive, honest. Sorrowful acoustic guitar presents an atmosphere of austere sadness. Epic electric guitar offers a grandiose feeling, large panoramic landscapes. Slow, folky instrumentation gives a sense of struggle, a heartbroken individual making their way through a cold world alone. Stripped back underscore version.
Wistful, nostalgic, energetic. Pop folk energy communicated through Wistful, nostalgic, energetic. Pop folk energy communicated through bright guitar chords and organic percussion. Male vocals reminisce about a romantic holiday, passion communicated as guitar strums more defiantly and vocals build in intensity. Love conveyed through lyrics longing to rekindle a romantic fire, with folky raw energy demonstrated through shouted vocals and accordions.歌词
One day in the sun I’ll take you back to New York city Where it all begun
Wistful, nostalgic, energetic. Pop folk energy communicated through Wistful, nostalgic, energetic. Pop folk energy communicated through bright guitar chords and organic percussion. Passion displayed as strumming becomes more intense and determined. Raw folky energy conveyed through fast pace and organic instrumentation. Instrumental version.
Wistful, nostalgic, energetic. Pop folk energy communicated through Wistful, nostalgic, energetic. Pop folk energy communicated through bright guitar chords and organic percussion. Passion displayed as strumming becomes more intense and determined. Raw folky energy conveyed through fast pace and organic instrumentation. Stripped back underscore version.
☆ Nominated "Best Use - Film Trailer" @Production Music Awards 2024 ☆ Nominated "Best Use - Film Trailer" @Production Music Awards 2024 ☆ Electronic hybrid track with confident strings ostinato & pads. Luminous, elegant & arty. Build-up with vocal layers & drum beat. Cut & Drop @ 1'38. Climax. Piano conclusion. Suggested for indie movie, teenage series & sci-fi.
Uplifting french touch track with 80's inspiration. Synth, pitch Uplifting french touch track with 80's inspiration. Synth, pitch voices & catchy beat. Break @ 0'41 building-up with an energetic groove. Perfect for dance party, festive content & fashion.歌词
Take me higher Take me higher, Can you make me, make me a believer?Take me higher Can you make me, make me a believer? Take me higher Can you make meTake meTake me higher Take me higher, Can you make me, make me a believer? Take me
Heavy, uplifting, passionate. Heavy R&B beat meets with impassioned Heavy, uplifting, passionate. Heavy R&B beat meets with impassioned whispered vocals that set out a mysterious scene, reminiscent of introspection, an individual exploring the darkness of their heart. Cathartic release at 00:41 as vocalist delivers emotive elongated notes, singing of a love or connection breaking down. Ambience in the verse communicated by panning vocal samples and relaxed instrumentation helps to embolden explosion of the chorus.歌词
Feeling Something Moving Closer All the reasons I can find
Finding Holding Secrets
Together You’re all the reasons I can find
Stop breaking down We hit the ground Stop pushing
Running Faster Dreaming Closer All the reasons I can find
Heavy, uplifting, passionate. Heavy R&B beat sets out a mysterious Heavy, uplifting, passionate. Heavy R&B beat sets out a mysterious energy. Cathartic release at 00:41 as heavy synths and basslines rattle in an uplifting sequence. Ambience in the verse communicated by more relaxed instrumentation helps to embolden explosion of the chorus. Instrumental version.
Contemporary, determined, attitude. Positive and playful female Contemporary, determined, attitude. Positive and playful female vocals with bright guitars, keys and atmospheric percussion. Confident and cool African-inspired pop with swagger.歌词
La La La La La Laa La* La La La La La Laa La*
Running down the side street Kicking up grass Doing math over last week JUNE! Nothing in the fridge Blue bunny in the freezer But it's hotter than a geyser out here Damn i'm trying to do the right thing Winter to the summer no spring *woo!* I'm a bad mamma jamma got the new Js on and my bling JUNE! All this black on black I'm trying to shake it off like a heart attack, c'mon JUNE! Got the hair slicked back Step into the sun, no slack imma kill it in JUNE!
La La La La La Laa La* Imma kill it in JUNE!
La La La La La Laa La* Imma kill it in JUNE! I'm the money on the airwaves, push it cause I'm dope on the block JUNE! See the new Rick James with the side faded out clement top Ya'll know it's hot out here, got my babies in their birthday suit *cute* Put my shades back on, I'm the M.I.B. and I get loose *ooh* JUNE! All this black on black I'm trying to shake it off like a heart attack, c'mon JUNE! Got the hair slicked back Step into the sun, no slack imma kill it in JUNE! La La La La La Laa La* Imma kill it in JUNE! La La La La La Laa La* Imma kill it in JUNE! La La La La La Laa La* Imma kill it in JUNE! La La La La La Laa La* Imma kill it in JUNE!
Atmospheric, playful, quirky. Confident female vocals with male vocal Atmospheric, playful, quirky. Confident female vocals with male vocal harmonies, with a romantic, hopeful theme. Mysterious intro is joined by bright, magical chimes, whistling, xylophone, piano and guitar, becoming more positive, dreamy, relaxed and summery.歌词
We don't need money, no, We don't need money for no rainy days, We don't need anyone, We'll shoot the breeze and sail away.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
Come and see me now, Come up and see me I'll make you smile, Get out the city now, Follow me and I'll make you wild.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
By tomorrow we'll be in oyster bay, Here's to sunshine, here's to making play all day, We don't need money, We don't need money for no rainy day.
I'm gonna be someone, I'm gonna be someone today. I'm gonna be someone, I'm gonna be someone today.
Positive, attitude, cool. Playful synth brass with relaxed beats, Positive, attitude, cool. Playful synth brass with relaxed beats, funky basslines, bright electric guitars and determined, atmospheric female vocals build to catchy, upbeat choruses with vocal FX and romantic lyrics. Sultry and fun commercial and contemporary female pop with swagger.歌词
U catch my eye The way you move is magical I’m paralyzedIt’s
Almost criminal
What I got to do to get you Right next to me Shinning like diamonds you’resparkling
You’re a 10 out of 9 You’re just what I like I can’t lie I like
What I see Cause you’re dressed to 9’s Want to call you mine wanna get out of here with me?
Under the lights Your smile irresistible U got me high Not like the rest, not Typical
What I got to do to get you Right next to me Shimmer like gold, ur all I. Need
You’re a 10 out of 9 You’re just what I like I can’t lie I like
What I see Cause you’re dressed to 9’s Want to call you minewanna get out of here with me?
Is it the alcohol talking? Cause darling I’ve never wanted Someone like u But what can I do?
You’re a 10 out of 9 You’re just what I like I can’t lie I like
What I see Cause you’re dressed to 9’s Want to call you mine wanna get out of here with me? X2
Uplifting, positive, fun. Stomping drums with cool electric guitar Uplifting, positive, fun. Stomping drums with cool electric guitar riffs and bright, 80's synths are joined by soulful and confident male vocals. Inspiring and energetic pop with euphoric, summery choruses to get you dancing.歌词
Attitude, energetic & raw speed-rock sung in Spanish. Revealing the Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, distorted electric bass, male backing vocals, synth & rock band. Cut & rhythm change @ 1'55.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second time,
the second was not
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Full Version. Attitude, energetic & raw speed-rock sung in Spanish. Revealing the real face of a fake person. Female singer, male backing vocals, synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.歌词
ES:
Cinco días y vendrás aquí
con ojos comprensivos,
dirás lo que yo quiero oír,
te identificarás con mi dolor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Sé muy bien
Que eres una farsa
Hubo un tiempo que creí en ti,
no tenía razón para no hacerlo,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
yo también
Farsa, cuando pronto vuelves y me ves a tus pies,
algo que no logro comprender
Fue tu culpa la primera vez,
pero la segunda, no lo sé.
Otra vez
a tus pies
como si necesitara
de ti para vivir,
fue tu culpa la primera vez,
pero la segunda,
la segunda no lo fue.
Me llamas, me dices que no es verdad,
cuando es evidente que si es verdad,
es como si por decir mil veces una mentira,
se convierte en una mentira.
No sé por qué no puedes decir las cosas como son,
por qué tener que andar tapando lo que haces,
por qué no decir las cosas como son,
por qué no decir las cosas en la cara.
Y aunque diga que es la última vez
Ya te acostumbré
A siempre manipularme
Cinco días y vendrás aquí
con ojos comprensivos,
siempre una explicación,
siempre todo a tu favor,
siempre todo a tu favor
y no sé por qué lo haces tan bien,
pero en el fondo yo lo sé,
y no sé por qué vuelvo a caer
cuando en el fondo yo lo sé.
Que eres una farsa
que lo vas a negar
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
Tú eres una farsa
EN:
Five days and you will come here
with sympathetic eyes,
you'll say what I want to hear,
you'll identify with my pain
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I know very well
That you are a sham
There was a time when I believed in you
I had no reason not to,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I know
That you're a sham
That you'll deny it
You're a sham
You're a sham
I'm a sham too
Sham, when soon you come back and see me at your feet,
something I can't understand
It was your fault the first time,
but the second, I don't know.
Once again
at your feet
as if I needed
you to live,
it was your fault the first time,
but the second time,
the second was not
You call me, you tell me it's not true,
when it's obvious that it is true,
it's as if by telling a lie a thousand times,
it becomes a lie.
I don't know why you can't tell it like it is,
why you have to go around covering up what you do,
why not tell it like it is,
why not say things in the face.
And even if I say it's the last time
I've gotten you used to
Always manipulate me
Five days and you'll come here
with sympathetic eyes,
always an explanation,
always everything in your favor,
always everything in your favor
and I don't know why you do it so well,
but deep down I do,
and I don't know why I fall again
when deep down I know
That you are a sham
That you'll deny it
You're a sham
You're a sham
You're a sham
You're a sham
Instrumental full Version. Attitude, energetic & raw speed-rock. Instrumental full Version. Attitude, energetic & raw speed-rock. Synth & rock band. Cut & rhythm change @ 2'13 & @ 3'02. Lead distorted electric bass @ 3'48.
Electro pop, dreamy electro house. Introspective, smooth & soulful. Electro pop, dreamy electro house. Introspective, smooth & soulful. Suggested for love story & teen drama. Male singer, with rhythm & sampled voices @ 2'25.歌词
I can never let the past away I can never lie I’ve seen too much of what it does
And if I relish the walking in I can never lie I’ve seen too much of what it does
And certainty’s the worst of them For what it’s worth I fear that one Probably the only thing I understand
I can never chase the vanished thirst I can never lie I released that one a while ago Wouldn’t even blame the family curse Wouldn’t even try I wasn’t made a friend or foe
And certainty’s the worst of them For what it’s worth I fear that one Probably the only thing I understand
And the truth that we can grab sometimes Is enough for me
Electro pop song, dance-pop, electro-rock. Catchy intro then driving, Electro pop song, dance-pop, electro-rock. Catchy intro then driving, heady & bouncy. Female singer, synth, electric guitar & rhythm. Recommended for romance, fashion, attitude, TV shows歌词
I don’t know where I go
Looking at you
But I like you so
I hope you too
We’re like a wasted crush
You’re just like the first name on the board
That I need to touch
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
You don’t have to act
Like you don’t care
Consider the fact
I’ve never been there
We’re like a wasted crush
You’re just like the first name on the board
That I need to touch
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
We’re like a wasted crush
You’re just like the first name on the board
That I need to touch
We’re like a wasted crush
You’re just like the first name on the board
That I need to touch
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
Je ne te cache pas que tu me plais
Ta vie est un cliché
Comment faire pour te résister
Austere, bouncy, stylish. Formidable bass sets out a serious sequence Austere, bouncy, stylish. Formidable bass sets out a serious sequence amidst wistful percussive FX and ethereal vocal samples. Buoyant energy from chattering synths and tuneful, pulsating drums. Watery FX give an aqueous beach vibe, visions of beautiful people relaxing and lying on a beach in sunlight, claps lending a communal energy.
Austere, bouncy, stylish. Fun holiday drumbeat sets out a serious Austere, bouncy, stylish. Fun holiday drumbeat sets out a serious atmosphere with wistful percussive FX. Buoyant energy from deep kick and dynamic percussion. Stripped back underscore version.
Austere, bouncy, stylish. Formidable bass sets out a serious sequence Austere, bouncy, stylish. Formidable bass sets out a serious sequence amidst wistful percussive FX and ethereal vocal samples. Chattering synths and tuneful, pulsating drums gift a buoyant energy. Watery FX gift an aqueous beach vibe, visions of beautiful people relaxing and lying on a beach in sunlight, claps lending a communal energy. Stripped back underscore version.
Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated Pure samba/bossa-nova in the spirit of the 60's. Cosy, sophisticated & classy. Female & male singer duet. Male singer @0'45, guitare & Brazilian percussions.歌词
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te pegar
Samba que nurerê samba que nurará
Você é tão bonita que o samba vai te encontrar
Zum zum zum zum Jussara vem sambar
Zum zum zum zum Jussara vem sambar
