Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.歌词
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll,
Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa,
I can tell you been messin' wit losers,
But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya,
Exotic, determined, hypnotic. Drooping synth notes play out over a Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Powerful, wistful, strong. Swirling synths and guitar play out a Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Male autotuned vocals talking to a love interest about how they stay cool and focus on making money. Catchy lyrics with comedic comparisons infers a confident aura. An individual who has control of their life and has control over others, a top dog or someone people fear and respect.歌词
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Colder than da ice up in dat cooler,
I got money on madula,
Want dat smoke I bring it to ya, Ay I’m makin' lil shawty move her body like a dancer, Answer, I don’t even know da question random, Vamping, I just popped a 30 so I’m vamping, All night baby Ima hit it till I’m cramping, Head game honor student like she went to Hampton, I don’t hold no hands really not into romantics, Shawty clean me up yeah she got manners, I got, all diz money on me like a scammer, Nailin it you know I keep da hammer,
Fit you in my schedule I write it in my planner.
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Powerful, wistful, strong. Swirling synths and guitar play out a Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Cool, slick sound reminiscent of an individual who has control of their life and has control over others, a top dog or someone people fear and respect. Instrumental version.
Cool, energetic, unique. Powerful sub bass launches into echoing Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs and emotive autotuned crooning. Lyrics separating lyricist from his competition, characterised as someone who is strong and avoids the pitfalls of life due to their austere nature and focus. Ignoring haters and only focusing on money. Trilling guitars infers a feeling of emotion, indicative of a love for the grind.歌词
You know we ain't cut the same, I come from a different cloth, I just ran my check up man and look at all of this I bought, I be hearing this and that but conversation let ‘em talk, Ain’t no sense in holding on you wanna leave I let you walk. Lately, it been feelin' like they trying me, Popped a 30 paranoid feel like they eying me, Throw that money when she pick it up it’s raking leaves, Really ballin' when you get it what they hate to see. I get that paper den I bounce, I get that paper den I’m out, I get that money then I pounce, Blow dat, blow dat by the ounce, Ooh she wanted me back then but I was busy what up now, Prolli took her on a date but day dreamin' bout an account, I run up the digits you know that I get it, I gotta go get it regardless, Even when I was broke, Wit no money account and my stomach would hurt when I’m starvin', Level up and took off like a Martian, Now them bands lookin' like they marching, Like a bull seeing red target, I be on it you know that I want it, Break it down like this shit a component, I got plugs it feel like I’m Tony, Mo connection than a fiber wire I can overnight it ain’t no waitin' on it, Everytime you get it then they hate it so it stay wit me, I can’t never let you in on secrets you might play with me. You know we ain't cut the same, I come from a different cloth, I just ran my check up man and look at all of this I bought, I be hearing this and that but conversation let ‘em talk, Ain’t no sense in holding on you wanna leave I let you walk. Lately, it been feelin' like they trying me, Popped a 30 paranoid feel like they eying me, Throw that money when she pick it up it’s raking leaves, Really ballin' when you get it what they hate to see.
Cool, energetic, unique. Powerful sub bass launches into echoing Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs. Trilling guitars infers a feeling of emotion, indicative of a love for the grind. Chattering trap hi hats offer an infectious energy. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.歌词
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.歌词
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering,
Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya,
I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Romance in waltz time. Melancholic, loving & sentimental. Male & Romance in waltz time. Melancholic, loving & sentimental. Male & female duet. Orchestra, string ensemble, piano & rhythm. In the spirit of Broadway musicals of 40s & 50s. Suggested for happy endings.歌词
WE MAY FALL IN LOVE
Music by Julien Vega
Lyrics by John Greaves & Julien vega
I don’t want to fall in love
It’s not a game I wish to choose
Sweet as your advances are
I must regrettably refuse
Love Is just a game of fools
So maybe we could bend the rules
Play the game, lose every time
You bet a dollar, win a dime
I will take that broken heart and heal it
Maybe there will come a day you’ll feel it
‘cause there is something you can’t disguise
There in your eyes
We may fall in love
Will I ever love again, Will I? Will I?
Let me wash away the pain
Love is meant for other men Not I Not I
Let me help you love again
There is such a lot to find
Circumstances
But you need an open mind
Please don’t take this personally,
Take some chances
It simply wasn’t means to be.
I will take that broken heart and heal it
But I can’t let you do it
Maybe there will come a day you’ll feel it
I am impervious to it
But there is something you can’t disguise
I see it in your eyes
We may fall in love
Tonight
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass and male vocals bragging about strength and prowess. Rap vocal style conveys self-assured atmosphere. Rise into EDM drop at 00:37 with trippy synths and large bass. Superhero energy from lyrics about a superior power and bravery. Hype rap verse at 01:26 displays talent through pacy delivery of lyrics about not needing any help or validation.歌词
I’m the bigger man, I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man,
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man, I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can, I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
Started low,
Here we go, Yeah,
Check my facts
Speak and act,
Wow, From the dust To the crown, Yeah,
Take it or leave it,
Ain’t gonna let no one in my head, yeah,
Cause I’ll be flying like I mean it man (I mean it!),
Saving all the ones who said I couldn’t be me,
Used to have a lot of doubt about myself (facts),
But now I shining brighter than you’ll ever be.
I’m the bigger man,
I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man.
Bring it to fruition
Making digits every minute, damn.
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
I don’t give a damn,
Cause I know,
Got a chip on my back,
Giving you facts,
Right off the bat, It’s an attack,
Started by me, I can do that,
I don’t need no validation from you, I am a king,
You better bow, I don’t see no enemies,
They went away like a cloud,
I’m in my zone, I’m in my zone, Before you talk,
Look where I’m at, Better look up, Yea!
Cause I'll be flying like I mean it, man (I mean it!),
I don’t need to cool it down, I make it clear,
Cruising ‘cause I’m always in my element,
Getting what I want,
‘Cause what I do is what I said I will.
I’m the bigger man,
I’m the bigger man (yea),
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man (yea),
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything I do it ‘cause I said I can,
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Stripped back underscore version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Launch into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Rise into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Stripped back underscore version.
Epic, determined, heroic. Smouldering guitar reaches out alongside Epic, determined, heroic. Smouldering guitar reaches out alongside pads and cool melody. Male vocals convey a sense of duty and triumph with lyrics about rallying against restraints or enemies. Sturdy rap instrumentation at 00:40 alongside an agile vocal delivery creating an aura of heroism with lyrics about determination and pushing forward into the unknown with spirit. Visions of a superhero flying above civilisation, looking at a city from impossibly high in the end.歌词
Hot damn, Imma fly tonight, Don’t care,
If I find the light.
I’m ready, My senses sharp,
Blow up,
Like dynamite,
I’m here just to do what’s right,
In my lane, ain’t no look alike, I’m leading a bigger life,
So no one is here to hold me down.
Better be bigger than big,
I’m passionate doing my thing, I cash out I’m like a machine, I type it and ding, The day and night running again, Repeating like I’m in a game,
I’m stronger but feeling the same,
You know what I mean (yea),
I’m seeking for refuge, Am I just running from answers?
I know I’m here to do something,
And it’s way grander than bling, I’ve tried to be realistic,
It didn’t give me foundations, I’m looking for bigger tables, ‘Cause I know what I bring (bling),
Time gonna fly by,
What did I do with my life? Was this the way I set to be,
Or just another drive by?
I came with the abilities, My energy is mile hi, Connected to the story,
And my powers are the highlight, The star is what I’m shooting for, Don’t care about the skyline
(don’t care about the sky), love cannot be measured, Evil is so finite, Keeping what I need, And leaving all the rest behind me,
Going forward everything has perfect timing.
Hot damn, Imma fly tonight,
Don’t care, If I find the light, I’m ready, My senses sharp, Blow up, Like dynamite, I’m here, just to do what’s right, In my lane, ain’t no look alike, I’m leading a bigger life,
So no one is here to hold me down.
No one is here to hold me down, No one is here to hold me down, No one is here to hold me down, No one is here to hold me down.
Epic, determined, heroic. Smouldering guitar reaches out alongside Epic, determined, heroic. Smouldering guitar reaches out alongside pads and cool melody. Slow build with sharp synths into sturdy rap instrumentation at 00:40. A sense of austere honour and integrity from accompanying string chords blooming triumphantly. Heavy instrumentation conveys strength and power. Instrumental version.
Epic, determined, heroic. Smouldering guitar reaches out alongside Epic, determined, heroic. Smouldering guitar reaches out alongside pads. Slow build with sharp synths into sturdy rap instrumentation at 00:40. A sense of austere honour and integrity from accompanying string chords blooming triumphantly. Heavy instrumentation conveys strength and power. Stripped back underscore version.
Epic, determined, heroic. Smouldering guitar reaches out alongside Epic, determined, heroic. Smouldering guitar reaches out alongside pads and cool melody. Serious striding energy from dramatic percussion and haunting synth melodies. Climax at 01:08 into more enlightened chord sequence and passionate drums. Stripped back underscore version.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads and soft male vocals about an important realisation, living with a bigger purpose. Pulsing bass drives instrumentation forward with a sense of determination into upbeat EDM-style drums at 01:00. Heavy bass trades blows with whirring sidechained synths. Hopeful lyrics about seeing darkness, looking for clarity and someone to share it with. Cathartic breakthrough at 02:54 with bright lyrics and celebratory melodies.歌词
I am finally in a place where I can breathe, I was living out of insecurities,
Cannot waste more precious time or energy, There’s a bigger man that lies inside of me, Yeah.
After sitting in the darkness quietly,
I’ve been looking for a chance to make some peace, I was seeking for your guidance, But I hope that now you see, There’s a bigger man I know that I should be (there’s a bigger man I know).
Now don’t waste your time, Gone through all these miles, To a place where there is no more looking back, You’ve made all this way, To this very day, Now it’s time for you to show what you’re about.
I am finally in the place where I can breathe again, I was living in the box that I was screaming in (yeah), Is there anybody out there who can break my misery?
Is there anybody out there who can feel the mystery?
In the bottom of the ocean really low, I’ve seen darkness that I can not really show,
But I’ve learned the biggest lesson,
And I hope that now you see, There’s a bigger man that lies inside of me.
Now don’t waste your time,
Gone through all these miles, To a place where there is no more looking back,
You’ve made all this way, To this very day, Now it’s time for you to show what you’re… Time for you to show, Now don’t waste your time, Gone through all these miles, To a place where there is no more looking back,
You’ve made all this way, To this very day, Now it’s time for you to show what you’re about.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Pulsing bass sounds drive instrumentation forward with a sense of determination into upbeat EDM-style drums at 01:00. Heavy bass trades blows with whirring sidechained synths. Cathartic breakthrough at 02:54 with bright melodies. Instrumental version.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Slow building instrumentation into upbeat EDM-style drums at 01:00. Resonant synths and ornate plucked string sounds find their way through heavy bass. Stripped back underscore version.
Hopeful, redemptive, uplifting. Organic strings bloom followed by Hopeful, redemptive, uplifting. Organic strings bloom followed by muffled dramatic piano notes. Pulsing bass sounds drive instrumentation forward with a sense of determination into triumphant drums. Resonant synth plays through loud celebratory instrumentation with proud melody. Stripped back underscore version.
Raw, powerful, rebellious. Heavy rock guitar chugs through power Raw, powerful, rebellious. Heavy rock guitar chugs through power chords, creating a fiery atmosphere alongside heavy breathing. Autotuned male vocals deliver renegade lyrics telling people to get out of the way, sense of arrogance and anger. Expansive instrumentation lends itself to a sense of challenge alongside rap bragging about ability and determination. Taking the world and doing what you want with it. Reminiscent of a person with a tremendous amount of power who has a rebellious energy. Break at 01:27 adds to anticipation with trickling melodies leading back into heavy instrumentation.歌词
Better move, Better move,
Outa sight, I’m coming through (coming through), It’s a damage that a villain came to do,
I’m exploding,
Going off I make it boom,
So better move,
Better move (better move), Move aside Outta sight, I’m coming through (coming through), It’s the damage that I really came to do (coming through), I’m a savage, Don’t you make me lose my cool (don’t you make me lose my cool, yea, yea, yea).
If I didn’t get it straight, This time imma get it right, I don’t need a leap of faith, ‘Cause I flew a million miles, See me like a satellite, Looking at you day and night,
Stocking all your motions, Like i’m following a candle light, Determined like a mastermind, I seek and then I conquer, I step my foot into the gas,
And not for accolades or honour, I take the world and make it mine, Don’t care ‘bout power postures, My side is where it’s at, The other side is mine to slaughter.
Get outta my way, Out of my way, If you ain’t out of it, You better pray, Get outta my way, Hear what I say, If you wanna ball, Get ready to pay (yea yea yea).
Better move (better move), Better move,
Outa sight, I’m coming through (coming through), It’s a damage that a villain Came to do, (better move), I’m exploding,
Going off I make it boom (better move),
So better move (better move),
Better move (better move), Move aside,
Outa sight, I’m coming through (coming through),
It’s the damage that I really came to do (coming through), I’m a savage, Don’t you make me lose my cool, (don’t you make me lose my cool) So better move,
Raw, powerful, rebellious. Heavy rock guitar chugs through power Raw, powerful, rebellious. Heavy rock guitar chugs through power chords, creating a fiery atmosphere alongside heavy breathing. Guitars rise into expansive instrumentation, lending itself to a sense of challenge or danger. Taking the world and doing what you want with it. Reminiscent of a person with a tremendous amount of power who has a rebellious energy. Break at 01:27 adds to anticipation with trickling melodies leading back into heavy instrumentation. Instrumental version.
Raw, powerful, rebellious. Heavy rock guitar chugs through power Raw, powerful, rebellious. Heavy rock guitar chugs through power chords, creating a fiery atmosphere alongside heavy breathing. Guitars rise into expansive instrumentation, lending itself to a sense of challenge or danger. Taking the world and doing what you want with it. Reminiscent of a person with a tremendous amount of power who has a rebellious energy. Break at 01:27 adds to anticipation with trickling melodies leading back into heavy instrumentation. Stripped back underscore version.
Raw, powerful, rebellious. Expansive atmosphere opens up with the Raw, powerful, rebellious. Expansive atmosphere opens up with the help of daunting melodies and loud bass impacts. Reminiscent of a rebel, someone who takes the world and does what they want with it. Guitar asserts a sharp and possibly villainous sensibility. Large crashing drums create a loud and raucous atmosphere. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space. Male vocals about feeling assured, looking for light to block out the darkness, having an epiphany. Break into heavy rap instrumentation with vocals echoing out from somewhere high and important. Trusting in oneself, doing what you believe is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with determined vocal delivery.歌词
Look around, Realise there’s no better place, See the light in your eyes,
Ain’t no better space, I can glow, I can shine,
Ain’t no better days, Moving boulders out the dark,
So I can See the rays,
All the time try to find, How you had it wrong,
Can you cut yourself some slack?
Cause it's been too long, Turn the Tv channel off,
You don’t need it on,
Take it back to where it’s at,
For you to move along.
Yeah, Up on the the top
Level unlocked,
Why you moving stones?
We keep it loose, We keep it hot,
Making you lose control,
You care bout me? Don’t care a lot,
That’s why I got the flow, Taking it minute by minute, I can’t wait to hit it, I’m running the show, And I know that you notice, I’m on a mission, My weapon is loaded with ammunition,
my mental is right for this very moment,
Don’t need no approval or recognition,
My decisions are based on the feeling of trusting my vision,
I’m charging through all the glass in the ceiling,
I’m showing you facts,
To be exact, I’m here to act,
I’m here to win it!
Look around, Realise there’s no better place, See the light in your eyes, Ain’t no better space, I can glow, I can shine, Ain’t no better days, Moving boulders out the dark, So I can See the rays, All the time try to find, How you had it wrong, Can you cut yourself some slack? Cause it's been too long, Turn the Tv channel off, You don’t need it on, Take it back to where it’s at, For you to move along.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Instrumental version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, launch into sudden serious section with heavy percussion hammering out a sense of intensity and drama. Large riser into climax at 00:55 with war drums and cataclysmic melodies. Stripped back underscore version.
Searching, intense, pacy. Meaningful strings fade in followed by Searching, intense, pacy. Meaningful strings fade in followed by atmospheric percussive FX. Choirs and echoing vocals assert a sense of weight, a climactic situation where important things are on the line. Male voice raps lyrics about trusting in your own vision, a sense of nobility achieved through self-assurance. Confidence meshed with a feeling of importance in gliding melodic bridge with choral voices. Large, sudden breakdown at 01:48 as vocals explode over loud percussion. Lyrics about redemption and determination.歌词
I’m paving ways, I’m paving ways, I’m paving ways, I’m paving ways. 20/20 always acting on my vision,
Party tricks that make a sceptic superstitious,
Good samaritan that follows no religions, Make decisions with my gut, 'Cause that’s the realest, Got the instincts of a killer and a hero, Shoot until I reload, Better be the one above, Then living down and below, Rather die in my own mission, Then in someone’s plan, Rather crash in flight, At least my gravity is zero.
Fade away, fade away, In my weaknesses lie all my greatness, Pave a way for the days, I look up when the sky is so grey, And I say, Pave a way for the myth,
Make a choice when it’s time to be legend,
Sail away to the ocean of choices, It’s now or it’s never.
Take a minute to imagine, What it’s like to make it happen, What it’s like to be the one to reach the top of all these mountains, Need to make the sacrifices, Abandon ship to reach the island,
It’s always better when the big explosions come in from silence.
Being the man that I gotta be, Taking the enemy outta me, Breaking the pieces that parted me,
Because I’m making humanity follow me, Into the void that I kept in the silence, Putting a stop to the tyrants, Thinking of people as sheep,
But you tying a rope on a land full of lions, Never again be in the jade, Was in the way, Now on my way, Was in a whirl, Now on a wave,
Used to be chewed, Now got a key to the train,
Now I’ll be keeping my gains, Letting it out, Outta my veins, Ready to go,
Ready to be in the mode, Ready when you are, Ready to roll, yea!
Take a minute to imagine, What it’s to make it happen, What it’s like to be the one to reach the top of all these mountains, Need to make the sacrifices, Abandon ship to reach the island, It’s always better when the big explosions come in from silence.
Fade away, fade away, In my weaknesses lie all my greatness, Pave a way for the days, I look up when the sky is so gray, And I say; Pave a way for the myth, Make a choice when it’s time to be legend,
Searching, intense, pacy. Meaningful strings fade in followed by Searching, intense, pacy. Meaningful strings fade in followed by atmospheric percussive FX. Choir asserts a sense of weight; a climactic situation where important things are on the line. Large hip-hop drumbeat joined by chirping synths instil a slickness in the midst of weighty melodies. Large, sudden breakdown at 01:48 with explosion of percussion. Instrumental version.
Searching, intense, pacy. Meaningful strings fade in followed by Searching, intense, pacy. Meaningful strings fade in followed by atmospheric percussive FX. Strings assert a sense of weight; a climactic situation where important things are on the line. Large hip-hop drumbeat joined by chirping synths instil a slickness in the midst of weighty melodies. Large, sudden breakdown at 01:48 with explosion of percussion. Stripped back underscore version.
Searching, intense, trippy. Riser launches into euphoric melodies and Searching, intense, trippy. Riser launches into euphoric melodies and deep war drums. Percussion builds a sense of progression, a society of people moving forward proudly. Fizzling synths and rising melodies give a sense of vitality. Stripped back underscore version.
Celebratory, feelgood, exciting. Quick riser launches into afrobeat Celebratory, feelgood, exciting. Quick riser launches into afrobeat pop sequence. Slick drums gift a beat as female vocals sing about optimism, tenacity and a sense of self worth. Claps speeding up create a climactic atmosphere into excitable hook with whooping and bold percussive impacts. Reminiscent of a montage of individuals living their best life, enjoying themselves in bright and vibrant surroundings. Contemporary energy with dance style and slang lyrics.歌词
I’m ready for Monday, I won't mind cuz
I got my grind here like,
Hooray! Where my girls at?
Ya ya ya ya!
No way!
You won't get us down up here with the crowns,
No need to fight fight fight, na cuz,
We are pushing through so how bout you,
Just like stars, but burning brighter.
We are, Nonstop!
We go far, we go higher,
Like nonstop!
Burning hot ya we on fire,
So bright, so bright, we burn we burn,
So bright, so bright, we burn we burn,
Cuz we non non stop.
Its Friyay, yea we made so aint it great to know,
That we slay, from New York to LA hey hey hey,
What you gonna do when I'm faster than you, when I fly to the moon,
Celebratory, feelgood, exciting. Quick riser launches into afrobeat Celebratory, feelgood, exciting. Quick riser launches into afrobeat pop sequence. Slick drums gift a buoyant energy alongside sub bass, happy melodies instilling a sense of tenacity and self-worth. Claps speeding up create a climactic atmosphere into excitable hook with whooping and bold percussive impacts. Reminiscent of a montage of individuals living their best life, enjoying themselves in bright and vibrant surroundings. Instrumental version.
Celebratory, feelgood, exciting. Quick riser launches into afrobeat Celebratory, feelgood, exciting. Quick riser launches into afrobeat pop sequence. Slick drums gift a buoyant energy alongside sub bass, happy melodies and female vocals instilling a sense of tenacity and self-worth. Claps speeding up create a climactic atmosphere into excitable hook with whooping and bold percussive impacts. Reminiscent of a montage of individuals living their best life, enjoying themselves in bright and vibrant surroundings. Stripped back underscore version.
Determined, energetic, rude. Subtle bassline and beat spin into Determined, energetic, rude. Subtle bassline and beat spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Female vocals rap with a confident energy, lyrics about partying and giving off a sense of style and pride. Bass and drum create an undeniable dance energy alongside male vocal hook. Reminiscent of hip-hop dancers with unbelievable moves and a fun-loving spirit.歌词
Yeah let's move it, get to it, this is how we do it, Yeah let's move it, get to it,
this is how we do it,
Do it, do it, do do do it,
Do it, do it, do do do it.
Move Uh
Move Move
Do it do it do it do it,
Do it do it do it do it,
Do it do it do it do it,
Do it do it do it do it,
Get get get.
Yeah let's move it, get to it, this is how we do it,
Yeah let's move it, get to it, this is how we do it,
Move,
This is how we do it, Move,
Do it do it,
Yeah let's move it, get to it, this is how we do it,
Yeah let's move it, get to it, this is how we do it,
Determined, energetic, rude. Subtle bassline and beat spin into Determined, energetic, rude. Subtle bassline and beat spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Bass and drum create an undeniable dance energy alongside male vocal hook about taking action in a party situation. Reminiscent of hip-hop dancers with unbelievable moves and a fun-loving spirit. No lead vocal version.
Determined, energetic, rude. Subtle bassline and beat spin into Determined, energetic, rude. Subtle bassline and beat spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Bass and drum create an undeniable dance energy. Reminiscent of hip-hop dancers with unbelievable moves and a fun-loving spirit. Instrumental version.
Determined, energetic, rude. Subtle bassline and finger clicks spin Determined, energetic, rude. Subtle bassline and finger clicks spin into obnoxious trumpet melody, asserting a sense of carefree fun and attitude. Bass and drum create an undeniable dance energy. Reminiscent of hip-hop dancers with unbelievable moves and a fun-loving spirit. Stripped back underscore version.
Heavy, loud, confident. Mouth clicking effect plays out a beat, vocal Heavy, loud, confident. Mouth clicking effect plays out a beat, vocal samples asserting a sense of fun. Slick female vocals rap about having fancy jewellery, pulling up with friends and having skill and a sense of headstrong decisiveness. Powerful female energy, reminiscent of a group of female individuals laying down the law and being proud of themselves. Dance breakdown @ 0'52 with comedy horn instils an atmosphere of carefree energy.歌词
Heavy, loud, confident. Mouth clicking effect plays out a beat, vocal Heavy, loud, confident. Mouth clicking effect plays out a beat, vocal samples asserting a sense of fun. Powerful female energy, reminiscent of a group of female individuals laying down the law and being proud of themselves. Dance breakdown at 00:52 with comedy horn instils an atmosphere of carefree energy. Instrumental version.
Heavy, loud, confident. Mouth clicking effect plays out a beat, vocal Heavy, loud, confident. Mouth clicking effect plays out a beat, vocal samples asserting a sense of fun. Powerful female energy, reminiscent of a group of individuals laying down the law and being proud of themselves. Dance breakdown at 00:52 with comedy horn instils an atmosphere of carefree energy. Stripped back underscore version.
Funky, bouncy, boastful. Brass instruments and heavy percussion Funky, bouncy, boastful. Brass instruments and heavy percussion assert a buoyant atmosphere, leaning into jazzy notes and disco sounds. Female rap vocals about a group of girls working hard in order to party hard. Provocative lyrics and fun beat conjure images of a room full of friends dancing, convincing others to dance in the middle of a circle, fun party vibe with attitude.歌词
Ha Get up
Yeah
If you want it come and get,
if you want it come and get,
If you want it come and get,
work it, shake it, make that thing go,
Oh If you want it come and get, if you want it come and get
If you want it come and get, work it, shake it, make that thing go.
Ayo! What it do?
I gotta whole load of this heat comin' through,
Riding in deep with my so solid crew,
Moving to the beat cuz that’s how we do,
Yuh! Level up while its hot,
Gonna make it rain all day on my block,
Put in all the work 9-5 no stop,
Now we do the dance to the beat make it drop.
Show me how you move, yea work it,
Get you in the mood, bezerkin,
Now we comin' through, with the heat while its hot,
Yo what you workin' with, show me what you got!
If you want it come and get, if you want it come and get,
If you want it come and get, work it, shake it, make that thing go.
Gonna make it rain all day, make it rain all day, make it rain all day on my block,
Gonna make it rain all day, make it rain all day, make it rain all day on my block,
Gonna make it rain all day, make it rain all day, make it rain all day on my block,
Gonna make it rain all day, make it rain all day, make it rain all day on my block.
Funky, bouncy, boastful. Brass instruments and heavy percussion Funky, bouncy, boastful. Brass instruments and heavy percussion assert a buoyant atmosphere, leaning into jazzy notes and disco sounds. Male rap vocals about a group of individuals working hard in order to party hard. Provocative lyrics and fun beat conjure images of a room full of friends dancing, convincing others to dance in the middle of a circle, fun party vibe with attitude. Male vocal version.
Funky, bouncy, boastful. Brass instruments and heavy percussion Funky, bouncy, boastful. Brass instruments and heavy percussion assert a buoyant atmosphere, leaning into jazzy notes and disco sounds. Unpredictable organic sounds and fun beat conjure images of a room full of friends dancing, convincing others to dance in the middle of a circle, fun party vibe with attitude. Instrumental version.
Funky, bouncy, boastful. Claps and heavy drums assert a buoyant Funky, bouncy, boastful. Claps and heavy drums assert a buoyant atmosphere, with buoyant bass asserting a dance aura. Fun beat conjures images of a room full of friends dancing, convincing others to dance in the middle of a circle, fun party vibe with attitude. Stripped back underscore version.
Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy beat, cool male vocals rap about having a tremendous amount of skill, ignoring haters and being successful. Striving for fame and popularity but keeping a calm exterior, with determination reflected in hook. Trappy breakdown at 01:18 with heavy sub bass and chattering hi-hats.歌词
Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy beat. Fun and confident style in pop afrobeat drums. Trappy breakdown at 01:18 with heavy sub bass and chattering hi-hats conveys a sense of determination and action. Instrumental version.
Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy Energetic, smooth, poppy. Fun house bass chords whip up into a bouncy beat. Fun and confident style in pop afrobeat drums. Trappy breakdown at 01:18 with heavy sub bass and chattering hi-hats conveys a sense of determination and action. Stripped back underscore version.
Heartfelt, folky, uplifting. Quaint and passionate acoustic guitar Heartfelt, folky, uplifting. Quaint and passionate acoustic guitar sequence plays, welcoming male vocals with lyrics about feeling happier when an individual is around. A feeling of closeness and connection. Chorus of voices gifting a strong sense of energy, launching into powerful hook with claps. Whistles at 01:16 reinforce homely country aesthetic. Expressing to someone how important they are, how their presence lights up life.歌词
Wherever you go, I'll be there with you, Further down the road, I'll still care for you. Have I told you, The sun shines brighter when you're here? I promise you it's true. My life is better when I'm with you, better when I'm with you, So stay (Hey), So stay (Hey), By my side. Have I told you, The sun shines brighter when you're here? I promise you it's true, And I hope that you get this message loud and clear, Am I getting through to you? My life is better when I'm with you, better when I'm with you, My life is better when I'm with you, better when I'm with you. So Stay (Hey), So Stay (Hey), So Stay, SO Stay. By my side.
Heartfelt, folky, uplifting. Quaint and passionate acoustic guitar Heartfelt, folky, uplifting. Quaint and passionate acoustic guitar sequence plays, feelings of positivity tinged with a meaningful hue. A feeling of closeness and connection. Claps in cathartic breakdown gift a sense of energy. Expressing to someone how important they are, how their presence lights up life. Instrumental version.
Heartfelt, folky, uplifting. Quaint and passionate acoustic guitar Heartfelt, folky, uplifting. Quaint and passionate acoustic guitar sequence plays, feelings of positivity tinged with a meaningful hue. Decisive piano notes drive instrumentation forward. A feeling of closeness and connection. Expressing to someone how important they are, how their presence lights up life. Stripped back underscore version.
Cathartic, wholesome, affirming. Gentle euphoria gives rise to Cathartic, wholesome, affirming. Gentle euphoria gives rise to confident acoustic guitar sequence. Elegant male vocals sing lyrics about an emotional walk back home, returning to a loved one and a place that is familiar. Burst of emotion at 01:08 reminiscent of the moment two individuals that have not seen each other in a while are reunited. A burst of love and overwhelming emotion. A return to somewhere meaningful and an impassioned reunion.歌词
Final corner looking for, The only window with the light on, Final step to the door, I stop and wonder where the time's gone. Ohhh I've been missing you, (I've been missing you) Ohhh I've been missing you. (I've been missing you) But now it's time, I'm coming home, (Coming home to you, coming home to you, coming home to you) I'm coming home, (Coming home to you, coming home to you, coming home to you) Coming home. I remember countless hours, Getting lost inside your memory, All I promise, longing for this, WIth a thousand stars above me. Ooh I've been missing you, Ooh I've been missing you, Ooh I've been missing you, Ooh I've been missing you, Ooh I've been missing you, Ooh I've been missing you, Ooh I've been missing you, Ooh I've been missing you. But now it's time, I'm coming home, (Coming home to you, coming home to you, coming home to you) I'm coming home, (Coming home to you, coming home to you, coming home to you) I'm coming home, (Coming home to you, coming home to you, coming home to you) I'm coming home, (Coming home to you, coming home to you, coming home to you) Coming home.
Cathartic, wholesome, affirming. Gentle euphoria gives rise to Cathartic, wholesome, affirming. Gentle euphoria gives rise to confident acoustic guitar sequence. Burst of emotion at 01:08 reminiscent of the moment two individuals that have not seen each other in a while are reunited. A burst of love and overwhelming emotion. A return to somewhere meaningful and an impassioned reunion. Instrumental version.
Cathartic, wholesome, affirming. Gentle euphoria gives rise to Cathartic, wholesome, affirming. Gentle euphoria gives rise to confident acoustic guitar sequence. Burst of emotion at 01:08 reminiscent of the moment two individuals that have not seen each other in a while are reunited. A burst of love and overwhelming emotion. A return to somewhere meaningful and an impassioned reunion. Stripped back underscore version.
Heartwarming, comforting, supportive. Fragile male vocal coos over Heartwarming, comforting, supportive. Fragile male vocal coos over emotive acoustic guitar sequence. Lyrics inspiring feelings of closeness and trust, an individual indebted to making someone comfortable and loved. Uplifting chorus at 00:51 with repeated lyrics asserting support and affection. Bending guitar with bottleneck style communicates a rustic country style. High-pitched vocals convey a vulnerability and honesty.歌词
I'll keep you close, No matter what it takes, When hopes goes, I'll show you the way. We know it's not impossible for the waves to crash on us. I will be, I will be, I will be there, Whenever you're in need. I will be, I will be, I will be there, You can count on me. I'll stick by you, No matter your mistakes, When hope goes, I'll show you the way. We could be unstoppable if you hold my hand and trust. I will be, I will be, I will be there, Whenever you're in need. I will be, I will be, I will be there, You can count on me. I will be there, I will be there.
Heartwarming, comforting, supportive. Emotive acoustic guitar Heartwarming, comforting, supportive. Emotive acoustic guitar sequence sets out a feeling of bittersweet warmth, reminiscent of a sad but comforting moment. Uplifting chorus at 00:51 with passionate drums. Bending guitar with bottleneck style communicates a rustic country style. High-pitched vocals convey a vulnerability and honesty. Instrumental version.
Heartwarming, comforting, supportive. Emotive acoustic guitar Heartwarming, comforting, supportive. Emotive acoustic guitar sequence sets out a feeling of bittersweet warmth, reminiscent of a sad but comforting moment. Bending guitar with bottleneck style communicates a rustic country style. High-pitched vocals convey a vulnerability and honesty. Stripped back underscore version.