Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Sung in Spanish. Male singer, piano, brass, Latin percussion with bongo, conga & cowbell. Suggested for Latin party & telenovella.歌词
ES:
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
esas noches en que te llamé
fueron las veces que te recordé
acariciándome una y otra vez
tu y yo sabemos fue mas de una vez
sigues fingiendo estar feliz con otro
quedaste con el corazón bien roto
y sin nada
eras mi café del medio día
mi cigarrillo al comenzar el día
yo solo tu cuento de fantasias
al que besabas por hipocresía
yo confie en ti pero estabas con otro
quise olvidarte pero el corazón
Ya no me deja
esto me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Hace tiempo que no se de ti
Te confieso vivo en el ayer
De tu sonrisa
Mis días se tornan de color gris
Y aun no cierra esa cicatriz
Que no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
Ya no me deja
Que me mata me envenena
Que me corre por las venas
Que me empuja y que me frena
Me libera y me condena
hacia ti
EN:
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
those nights when I called you
were the times I remembered you
caressing me again and again
you and I know it was more than once
you're still pretending to be happy with someone else
you were left with a broken heart
and with nothing
you were my midday coffee
my cigarette at the beginning of the day
I was just your fantasy story
I trusted you but you were with another one
I wanted to forget you but the heart
Won't let me anymore
This kills me it poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It's been a long time since I heard from you
I confess you that I live in the yesterday
Of your smile
My days are turning gray
And still does not close that scar
That won't leave me
That kills me, poisons me
That runs through my veins
That pushes me and slows me down
It frees me and condemns me
towards you
It no longer leaves me It kills me it poisons me
It runs through my veins
It pushes me and slows me down
It frees me and condemns me
towards you
Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & Instrumental. Modern salsa/ latin pop. Romantic, warm, upbeat & swaying. Piano, brass, Latin percussion with bongo, conga, guiro & cowbell.
Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party. 歌词
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
People in the back, come on turn the party out
People in the front, keep moving, moving
People in the back, come on turn the party out
turn it up, say, turn it up
People in the back, come on turn the party out
People in the front, keep moving, moving
People in the back, come on
People in the back, come on
move , move, move
People in, People in, People in, People in, People in...
People in the back, come on turn the party out
Energetic, poppy, bouncy. Dissonant sound makes way for female vocals Energetic, poppy, bouncy. Dissonant sound makes way for female vocals singing about how to catch the attention of and empower a female love interest. Skeletal electronic beat and bouncy bass produce a stripped back, direct energy. Vocals sing of a diamond in the rough, reminiscent of someone searching out and empowering a lover or partner.歌词
Make her so she’s smooth Make she so she’s calm Make her seem aloof Make her love your charm Make your sacrifice Make her impolite Make her up with your imagination Hold her in your room Get her in your sights And then re-animate her with your chat up lines And if you shower me with diamonds Plug me in and I’ll respond And if you’re sending daily flowers Plug me in and I’ll respond
You’re like a diamond in the rough
Tell her she’s no fool Make her love mankind Check that she’s online Webcammed all the time Forward to your friends URLs for men She makes them beg for their emancipation
Network her in Cannes Newsgroups for her fans A phenomenon you built in your lunchtime
And if you shower me with diamonds Plug me in and I’ll respond And if you’re sending daily flowers Plug me in and I’ll respond
And if cover me with perfume Plug me in and I’ll respond And if you tell me I’m your girlfriend Plug me in and I’ll respond
You’re like a diamond in the rough Cover me, cover me…
Energetic, poppy, bouncy. Dissonant sound makes way for skeletal Energetic, poppy, bouncy. Dissonant sound makes way for skeletal electronic beat and bouncy bass, producing a stripped back, direct energy. More melodious elements emerge, floating bells create a more airy feeling. Instrumental version.
Energetic, poppy, bouncy. Dissonant sound makes way for skeletal Energetic, poppy, bouncy. Dissonant sound makes way for skeletal electronic beat and bouncy bass, producing a stripped back, direct energy. Melodious arpeggiating synths appear, creating a more tuneful, passionate feeling. Stripped back underscore version.
Raw, confident, commanding. Heavy hip hop percussion leads into Raw, confident, commanding. Heavy hip hop percussion leads into female rapping about garnering everyone's attention in the club, dressing in her best clothes and acting cool. Individualist energy, watching people copy you and steal your style. Subtle melodies creating a beat-driven dance style. A confident lifestyle with wealth and popularity. A braggadocious atmosphere, repetitive instrumentation to pull focus on the rapper boasting about herself.歌词
Call me boss now
Me so sick Im about to throw up
Lights so bright cant miss my glow up
When I walk in they done the talking
Heels so high but dogs aint barking
AC on better turn that higher
clothes on the floor, what the boys desire
Make em fall in love with the way that I move
Follow me and theres no that you will lose
No amount of disrespect can check me
I step on necks, then next, like check please
Dont need a gang to be the ring leader
If a bitch act up then put her in the theatre
I put in work to be where Im at
To see where Im at you gone need a map
If I wasnt me then I would just die
The girls all try but i just reply
Watch me how I boss up boss out
Yeah Im bossy, Im a boss now
Watch me do the work work work
Watch me do the work work work
Watch me how I boss up boss out
Yeah Im bossy, call me boss now
Watch me do the work work work
Watch me do the work work work
Watch me do the work work work
work work work work
I put in the work work work work work work work
Ask me how it works, works, works, works, works, works, works
Bitch I put in work, work, work, work, work, work, work
Boss Up boss out
Flow so hot hot no global warming
The hive gone mad the bees are swarming
And me? Im somewhere in the pocono's
rocking polkadot shorts if you know you know
Im my third drink, aint paid for one yet
I land on the yacht fresh off the jet
Rip the runway, always double meaning
My style and finesse always double teaming
Hot like potato when I rock my wedges
lay a bitch out like i lay my edges
I spit that fire, give me that smoke
My outfits gags, but my hands still choke
And nope, she aint got no ghost pen
She writes mad raps, wraps round all of them
No matter where from Kingston to Brixton
Make sure youre fixed in, just watch and listen
Watch me how I boss up boss out
Yeah Im bossy, Im a boss now
Watch me do the work work work
Watch me do the work work work
Watch me how I boss up boss out
Yeah Im bossy, call me boss now
Watch me do the work work work
Watch me do the work work work
Watch me do the work work work
work work work work
I put in the work work work work work work work
Ask me how it works, works, works, works, works, works, works
Bitch I put in work, work, work, work, work, work, work
Raw, confident, commanding. Heavy hip hop percussion leads into Raw, confident, commanding. Heavy hip hop percussion leads into female rapping about garnering everyone's attention in the club, dressing in her best clothes and acting cool. Individualist energy, watching people copy you and steal your style. Subtle melodies creating a beat-driven dance style. A confident lifestyle with wealth and popularity. A braggadocious atmosphere, repetitive instrumentation to pull focus on the rapper boasting about herself.
Raw, commanding. Heavy hip hop percussion with melodic samples. Raw, commanding. Heavy hip hop percussion with melodic samples. Subtle melodies create a beat-driven dance style. Single piano and guitar notes play out a catchy tune as beat builds up into heavy club energy. Instrumental version.
Raw, commanding. Heavy hip hop percussion with overdriven bass Raw, commanding. Heavy hip hop percussion with overdriven bass drones. Subtle melodies create a beat-driven dance style. Single piano and guitar notes play out a catchy tune as beat builds up into heavy club energy. Stripped back underscore version.
Feelgood, soulful, warm. Kick drum and snare create a sharp hip-hop Feelgood, soulful, warm. Kick drum and snare create a sharp hip-hop rhythm, high pitched organ trills give way to fuller piano motif floating alongside male and female vocals. Staccato piano riff and affirmative vocal shouts create an uplifting energy. Charismatic voices full of spirit and confidence. Playful background vocals communicate a fun and friendly atmosphere.歌词
Yeah yeah yeah hmm
One thing that I’ve learned This life was made for love No good on my own And we need each other
Someone to share Always be there And when you’re down and out Lean on my shoulder Someone to share Always be there And when you’re down and out We’ll have each other
Feelgood, soulful, warm. Piano motif floats alongside male and female Feelgood, soulful, warm. Piano motif floats alongside male and female vocals. Staccato piano riff and affirmative vocal shouts create an uplifting energy. Charismatic voices full of spirit and confidence. Playful background vocals communicate a fun and friendly atmosphere. Acoustic version.
Feelgood, soulful, warm. Kick drum and snare create a sharp hip-hop Feelgood, soulful, warm. Kick drum and snare create a sharp hip-hop rhythm, high pitched organ trills give way to fuller piano motif. Staccato piano riff and lead organ solo create an uplifting energy. Instrumental version.
Warm, dancey, caring, feelgood. Dynamic riff over simple ukulele Warm, dancey, caring, feelgood. Dynamic riff over simple ukulele chords conveys a meaningful, uplifting feeling. Double claps lead into fuller percussion with shakers conjuring images of happy socialising and community cohesion. Happy, bright end chord.
Warm, dancey, caring, feelgood. Simple ukulele chords convey a Warm, dancey, caring, feelgood. Simple ukulele chords convey a quaint, uplifting feeling. Double claps lead into fuller percussion with shakers conjuring images of happy socialising and community cohesion. Happy, bright end chord. Stripped back underscore version.
Balearic, chill, dancey. Clockwork percussion beckons in floating, Balearic, chill, dancey. Clockwork percussion beckons in floating, pulsing synth chords. Commanding synth lead guides into sun-kissed house beat. Conjures images of azure water and endless beaches, with synth notes stretching out to a beautiful, bright horizon. Emotive bass sequence cushions fragile pitched-up vocal samples. Rich, swirling melodic textures evoke waving palm trees and relaxed holiday feelings. Energetic cathartic drop at 02:35.
Balearic, chill, dancey. Clockwork percussion beckons in floating, Balearic, chill, dancey. Clockwork percussion beckons in floating, pulsing synth chords. Simple kick drum guides into sun-kissed house beat. Conjures images of azure water and endless beaches caressed by waves of synth chord. Emotive bass sequence into build up of euphoric synths. Rich, swirling melodic textures evoke waving palm trees and relaxed holiday feelings. Energetic cathartic drop at 02:35. Stripped back underscore version.
Balearic, chill, relaxed. Clockwork percussion beckons in floating, Balearic, chill, relaxed. Clockwork percussion beckons in floating, pulsing synth chords. Growing melodies lead into sun-kissed house sequence. Conjures images of azure water and endless beaches caressed by waves of synth chord. Emotive bass sequence into build up of euphoric synths. Rich swirling melodic textures evoke waving palm trees and relaxed holiday feelings. Cathartic release at 02:35. Stripped back melody only underscore version.
Balearic, chill, relaxed. Floating, pulsing synth chords beckon in Balearic, chill, relaxed. Floating, pulsing synth chords beckon in commanding lead melody and sturdy bass sequence. Conjures images of azure water and endless beaches, with synth notes stretching out to a beautiful, bright horizon. Emotive bass sequence into build up of euphoric synths. Rich, swirling melodic textures evoke waving palm trees and relaxed holiday feelings. Cathartic release at 02:35. Stripped back melody only underscore version.
Remix. Positive, lively, hopeful. Relaxed chiming mallet melodies Remix. Positive, lively, hopeful. Relaxed chiming mallet melodies with atmospheric descending synths build with driving beats and synth strings to become energetic and playful. Emotive strings build with powerful beats to propulsive sections. Contemporary reimagining of Canon in D by Johann Pachelbel.
Remix. Positive, lively, hopeful. Relaxed chiming mallet melodies Remix. Positive, lively, hopeful. Relaxed chiming mallet melodies with atmospheric descending synths build with driving beats and synth strings to become energetic and playful. Emotive strings build with powerful beats to propulsive sections. Contemporary reimagining of Canon in D by Johann Pachelbel. Stripped back underscore version.
Motivating, dramatic, positive. Bright piano and driving synth Motivating, dramatic, positive. Bright piano and driving synth arpeggiators are joined by powerful beats and reflective guitars, building with energetic short strings to lively peaks with confident string melodies and atmospheric vocal FX. Brooding moments build again to become determined and rousing. Playful yet cinematic orchestral hybrid full of drama.
Motivating, dramatic, positive. Driving synth arpeggiators are joined Motivating, dramatic, positive. Driving synth arpeggiators are joined by powerful beats and reflective guitars, building with energetic short strings to lively peaks with confident string melodies. Brooding moments build again to become determined and rousing. Playful yet cinematic orchestral hybrid full of drama. Stripped back underscore version.
Cha cha cha in the 60's style. Catchy & mischievous. Sung in Spanish. Cha cha cha in the 60's style. Catchy & mischievous. Sung in Spanish. Female singer & band with sax section & latin percussion.歌词
Cuando quieres, no quiero
yo quiero, tu vuelves.
Me besas, te beso, me enciendes.
Te vas !
Corazo?n, corazo?n, no partas por favor.
Corazo?n, corazo?n, me dejas sin control.
Si tu? quieres hoy puedo me llamas invi?tame a cenar
Cuando quieres, no quiero
yo quiero, tu vuelves.
Me besas, te beso, me encientes.
Aaahh!
Corazo?n, corazo?n, no partas por favor.
Corazo?n, corazo?n, me dejas sin control.
Corazo?n, corazo?n, no partas por favor.
Corazo?n, corazo?n, me llenas de ilusio?n.
Por que quiero tu amor
Dame tu corazo?n pum pum pum late mi corazo?n suen?a conmigo amor
EN:
When you want, I don't want
When I want to, you come back.
You kiss me, I kiss you, you turn me on.
You leave !
My heart, my heart, please don't leave.
My heart, my heart, you make me lose control.
If you want today I can, call me invite me to dinner
When you want, I don't want
When I want to, you come back.
You kiss me, I kiss you, you turn me on
Aaahh!
My heart, my heart, please don't leave.
My heart, my heart, you leave me without control.
My heart, my heart, please don't leave.
My heart, my heart, you fill me with illusion.
Because I want your love
Give me your heart boom boom boom my heart dreams of me love
Cha cha cha in the 60's style. Catchy & mischievous. Small band with Cha cha cha in the 60's style. Catchy & mischievous. Small band with sax section & latin percussion.
