Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.歌词
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering,
Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya,
I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Upbeat, lively & danceable kuduro sung in Italian. I know you hate Upbeat, lively & danceable kuduro sung in Italian. I know you hate me, but I don't care. Female rap singer, female backing vocals, synth, sampling & electronic percussion.歌词
IT:
Damn, mi odi, lo vedo, dimmelo
Però fallo in toto
In toto, in toto, in toto, in toto, in
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
oto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
Jadoll la fa ricca
Baddies nella cricca
Dillo pure mami que esta noche la squad brilla già
Sinner with da whiplash
Bimba gioca lì, squash
Money love ‘n party
I don't know you, where u comin' from
Da troppo che parli, no bad vibes, chicas
Non pago per questo il mio wifi mica
Sicuro che facciata duri o sei morto
No problem, my project a porto
Grazie, so che parli di me, togli il filtro
Quel che non volevo vedere, fra, l'ho già visto
Sbatti, so che fai altre cose, lo capisco
Tranne avere ragione e avere ritmo
Tanti, quelli che mi guardan nella disco
Ma temono più me che mafia il fisco
Sbatti, che ti fidi di me sai lo capisco
Mh, io uno come me però mai visto
I don't know you, mh
No mai visto
I don't know you, mh
No mai visto
Damn, mi odi, lo vedo, dimmelo
Sì, se è così che squadri, dimmelo
Faccio in modo l'ego tuo diventi piccolo
Faccio in modo che mi odi e non per poco ma in toto
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
Sì che è sicuro che per me mi curo
Lui sta sicuro che per lui mi curo
Ma stai seduto o spalle contro al muro
Perchè se chiudo ci son per nessuno
E quelle cose che mi dicono giuro mi fanno ridere
Le cose che non vedo mi fottono come vipere
Sta cosa che se parlo è sbagliato tutto a prescindere
Perchè se dici il vero i bugiardi non posson vivere
Dollitas la fan pagare cara, dolla gang ah
I'm not doin' too much, but I'm extra
We look icy pricey, material wifeys
Spariamo con i drippies alla festa
Shoot shoot chica
Toto-to, toto
Boom boom toto
Don't care for coco
Got my girls and my weed and all
Mami e babe no more broke in toto
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
Toto, toto, toto, no mai visto
Toto, toto, toto Toto, toto, toto, e tu m’hai visto
Toto, toto, toto
EN:
Damn, you hate me, I see it, say it
But do it fully
Fully, fully, fully, fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully
Fully, fully, fully, but you know me so well
Fully, fully, fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Jadoll does it big
Baddies in my clique
You can say it mami, tonight the squad is shining
Sinner with the whiplash
Girl don’t play, squash
Money love ‘n party
I don't know you, where u comin' from
You’ve been talking for so long, no bad vibes, girls
I don’t pay my wifi for such things
Be sure your facade is strong enough or it will be the end of you
No problem, my project is working
Thank you, I know you’re talking about me, remove the filter
What I didn’t want to see, bro, I already saw it
Dang it, I know you do other things, I get it
Except being right and having the sense of rhythm
There’s a lot of people looking at me in the club
But they fear me more than mafia fears tax authorities
Dang it, you trust me and I understand it
Mh, but I never saw someone like me
I don't know you, mh
I never saw you before
I don't know you, mh
I never saw you before
Damn, you hate me, I see it, say it If it’s like that that you scrutinize me, say it I’ll make sure that your ego becomes small I’ll make sure that you hate me, not just a little, but fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Yes, it’s obvious that I take care of myself for myself
He thinks I take care of myself for him
You better sit down or stay backed into a corner
Cause if I end something I’m not taking calls
And all these things they say to me, I swear, they’re hilarious
The things I can’t see, they betray me like snakes
Note that if I talk, no matter what, I’m always wrong
Because if you speak the truth liars can’t live anymore
Dolls take revenge, Doll gang
I'm not doin' too much, but I'm extra
We look icy pricey, material wifeys
We shoot with our drip at the party
Shoot shoot, girl
Everything
Boom boom, everything
Don't care for coco
Got my girls and my weed and all
Mami e babe no more broke at all
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Fully, fully, fully, I don’t know who you are
Fully, fully, fully Fully, fully, fully, but you know me so well
Fully, fully, fully
Hey! What you do to me When I m’ not with you What you do to me When I ‘m besides you
Join my floating bed
Napping in the sky
Jellyfish around. We’re So high
Pillow time with you
Join me for a Ride
Make it all come true ....We’re so High Pillow time with you
Waiting for A Sign ... to get you
Hey! What you do to me When I m’ not with you What you do to me When I ‘m besides you
You put a spell on me Can’t believe my eyes
I give you all my dreams And you hang me the stars
Pillow time with you
Join me for a Ride
Make it all come true ....We’re so High Pillow time with you
Waiting for A Sign ... to get you
Ouhhh Pillow Time With You Ouh Ouh....
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass and male vocals bragging about strength and prowess. Rap vocal style conveys self-assured atmosphere. Rise into EDM drop at 00:37 with trippy synths and large bass. Superhero energy from lyrics about a superior power and bravery. Hype rap verse at 01:26 displays talent through pacy delivery of lyrics about not needing any help or validation.歌词
I’m the bigger man, I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man,
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man, I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can, I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
Started low,
Here we go, Yeah,
Check my facts
Speak and act,
Wow, From the dust To the crown, Yeah,
Take it or leave it,
Ain’t gonna let no one in my head, yeah,
Cause I’ll be flying like I mean it man (I mean it!),
Saving all the ones who said I couldn’t be me,
Used to have a lot of doubt about myself (facts),
But now I shining brighter than you’ll ever be.
I’m the bigger man,
I’m the bigger man,
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man.
Bring it to fruition
Making digits every minute, damn.
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything,
I do it ‘cause I said I can,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of losing it,
‘Cause winning is my only plan.
I don’t give a damn,
Cause I know,
Got a chip on my back,
Giving you facts,
Right off the bat, It’s an attack,
Started by me, I can do that,
I don’t need no validation from you, I am a king,
You better bow, I don’t see no enemies,
They went away like a cloud,
I’m in my zone, I’m in my zone, Before you talk,
Look where I’m at, Better look up, Yea!
Cause I'll be flying like I mean it, man (I mean it!),
I don’t need to cool it down, I make it clear,
Cruising ‘cause I’m always in my element,
Getting what I want,
‘Cause what I do is what I said I will.
I’m the bigger man,
I’m the bigger man (yea),
Standing like a giant,
Making moves that shake your city down,
I’m the bigger man,
I’m the bigger man (yea),
Bring it to fruition,
Making digits every minute, damn,
I’m the bigger man,
I’m the bigger man,
Ain’t afraid of anything I do it ‘cause I said I can,
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with bass. Rise into EDM drop at 00:37 with trippy synths and large bass. Slick style conveys talent through pacy production. Trap energy from vocal ad libs and sub bass illustrates a sense of energy. Stripped back underscore version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Launch into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Instrumental version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence. Rise into EDM drop at 01:28 with trippy synths and large bass. Trappy hi-hats and vocal ad libs convey a hip-hop energy, conveying confidence and style. Stripped back underscore version.
Epic, determined, heroic. Smouldering guitar reaches out alongside Epic, determined, heroic. Smouldering guitar reaches out alongside pads and cool melody. Male vocals convey a sense of duty and triumph with lyrics about rallying against restraints or enemies. Sturdy rap instrumentation at 00:40 alongside an agile vocal delivery creating an aura of heroism with lyrics about determination and pushing forward into the unknown with spirit. Visions of a superhero flying above civilisation, looking at a city from impossibly high in the end.歌词
Hot damn, Imma fly tonight, Don’t care,
If I find the light.
I’m ready, My senses sharp,
Blow up,
Like dynamite,
I’m here just to do what’s right,
In my lane, ain’t no look alike, I’m leading a bigger life,
So no one is here to hold me down.
Better be bigger than big,
I’m passionate doing my thing, I cash out I’m like a machine, I type it and ding, The day and night running again, Repeating like I’m in a game,
I’m stronger but feeling the same,
You know what I mean (yea),
I’m seeking for refuge, Am I just running from answers?
I know I’m here to do something,
And it’s way grander than bling, I’ve tried to be realistic,
It didn’t give me foundations, I’m looking for bigger tables, ‘Cause I know what I bring (bling),
Time gonna fly by,
What did I do with my life? Was this the way I set to be,
Or just another drive by?
I came with the abilities, My energy is mile hi, Connected to the story,
And my powers are the highlight, The star is what I’m shooting for, Don’t care about the skyline
(don’t care about the sky), love cannot be measured, Evil is so finite, Keeping what I need, And leaving all the rest behind me,
Going forward everything has perfect timing.
Hot damn, Imma fly tonight,
Don’t care, If I find the light, I’m ready, My senses sharp, Blow up, Like dynamite, I’m here, just to do what’s right, In my lane, ain’t no look alike, I’m leading a bigger life,
So no one is here to hold me down.
No one is here to hold me down, No one is here to hold me down, No one is here to hold me down, No one is here to hold me down.
Epic, determined, heroic. Smouldering guitar reaches out alongside Epic, determined, heroic. Smouldering guitar reaches out alongside pads and cool melody. Slow build with sharp synths into sturdy rap instrumentation at 00:40. A sense of austere honour and integrity from accompanying string chords blooming triumphantly. Heavy instrumentation conveys strength and power. Instrumental version.
Epic, determined, heroic. Smouldering guitar reaches out alongside Epic, determined, heroic. Smouldering guitar reaches out alongside pads. Slow build with sharp synths into sturdy rap instrumentation at 00:40. A sense of austere honour and integrity from accompanying string chords blooming triumphantly. Heavy instrumentation conveys strength and power. Stripped back underscore version.
Epic, determined, heroic. Smouldering guitar reaches out alongside Epic, determined, heroic. Smouldering guitar reaches out alongside pads and cool melody. Serious striding energy from dramatic percussion and haunting synth melodies. Climax at 01:08 into more enlightened chord sequence and passionate drums. Stripped back underscore version.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads and soft male vocals about an important realisation, living with a bigger purpose. Pulsing bass drives instrumentation forward with a sense of determination into upbeat EDM-style drums at 01:00. Heavy bass trades blows with whirring sidechained synths. Hopeful lyrics about seeing darkness, looking for clarity and someone to share it with. Cathartic breakthrough at 02:54 with bright lyrics and celebratory melodies.歌词
I am finally in a place where I can breathe, I was living out of insecurities,
Cannot waste more precious time or energy, There’s a bigger man that lies inside of me, Yeah.
After sitting in the darkness quietly,
I’ve been looking for a chance to make some peace, I was seeking for your guidance, But I hope that now you see, There’s a bigger man I know that I should be (there’s a bigger man I know).
Now don’t waste your time, Gone through all these miles, To a place where there is no more looking back, You’ve made all this way, To this very day, Now it’s time for you to show what you’re about.
I am finally in the place where I can breathe again, I was living in the box that I was screaming in (yeah), Is there anybody out there who can break my misery?
Is there anybody out there who can feel the mystery?
In the bottom of the ocean really low, I’ve seen darkness that I can not really show,
But I’ve learned the biggest lesson,
And I hope that now you see, There’s a bigger man that lies inside of me.
Now don’t waste your time,
Gone through all these miles, To a place where there is no more looking back,
You’ve made all this way, To this very day, Now it’s time for you to show what you’re… Time for you to show, Now don’t waste your time, Gone through all these miles, To a place where there is no more looking back,
You’ve made all this way, To this very day, Now it’s time for you to show what you’re about.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Pulsing bass sounds drive instrumentation forward with a sense of determination into upbeat EDM-style drums at 01:00. Heavy bass trades blows with whirring sidechained synths. Cathartic breakthrough at 02:54 with bright melodies. Instrumental version.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Slow building instrumentation into upbeat EDM-style drums at 01:00. Resonant synths and ornate plucked string sounds find their way through heavy bass. Stripped back underscore version.
Hopeful, redemptive, uplifting. Organic strings bloom followed by Hopeful, redemptive, uplifting. Organic strings bloom followed by muffled dramatic piano notes. Pulsing bass sounds drive instrumentation forward with a sense of determination into triumphant drums. Resonant synth plays through loud celebratory instrumentation with proud melody. Stripped back underscore version.
Raw, powerful, rebellious. Heavy rock guitar chugs through power Raw, powerful, rebellious. Heavy rock guitar chugs through power chords, creating a fiery atmosphere alongside heavy breathing. Autotuned male vocals deliver renegade lyrics telling people to get out of the way, sense of arrogance and anger. Expansive instrumentation lends itself to a sense of challenge alongside rap bragging about ability and determination. Taking the world and doing what you want with it. Reminiscent of a person with a tremendous amount of power who has a rebellious energy. Break at 01:27 adds to anticipation with trickling melodies leading back into heavy instrumentation.歌词
Better move, Better move,
Outa sight, I’m coming through (coming through), It’s a damage that a villain came to do,
I’m exploding,
Going off I make it boom,
So better move,
Better move (better move), Move aside Outta sight, I’m coming through (coming through), It’s the damage that I really came to do (coming through), I’m a savage, Don’t you make me lose my cool (don’t you make me lose my cool, yea, yea, yea).
If I didn’t get it straight, This time imma get it right, I don’t need a leap of faith, ‘Cause I flew a million miles, See me like a satellite, Looking at you day and night,
Stocking all your motions, Like i’m following a candle light, Determined like a mastermind, I seek and then I conquer, I step my foot into the gas,
And not for accolades or honour, I take the world and make it mine, Don’t care ‘bout power postures, My side is where it’s at, The other side is mine to slaughter.
Get outta my way, Out of my way, If you ain’t out of it, You better pray, Get outta my way, Hear what I say, If you wanna ball, Get ready to pay (yea yea yea).
Better move (better move), Better move,
Outa sight, I’m coming through (coming through), It’s a damage that a villain Came to do, (better move), I’m exploding,
Going off I make it boom (better move),
So better move (better move),
Better move (better move), Move aside,
Outa sight, I’m coming through (coming through),
It’s the damage that I really came to do (coming through), I’m a savage, Don’t you make me lose my cool, (don’t you make me lose my cool) So better move,
Raw, powerful, rebellious. Heavy rock guitar chugs through power Raw, powerful, rebellious. Heavy rock guitar chugs through power chords, creating a fiery atmosphere alongside heavy breathing. Guitars rise into expansive instrumentation, lending itself to a sense of challenge or danger. Taking the world and doing what you want with it. Reminiscent of a person with a tremendous amount of power who has a rebellious energy. Break at 01:27 adds to anticipation with trickling melodies leading back into heavy instrumentation. Instrumental version.
Raw, powerful, rebellious. Heavy rock guitar chugs through power Raw, powerful, rebellious. Heavy rock guitar chugs through power chords, creating a fiery atmosphere alongside heavy breathing. Guitars rise into expansive instrumentation, lending itself to a sense of challenge or danger. Taking the world and doing what you want with it. Reminiscent of a person with a tremendous amount of power who has a rebellious energy. Break at 01:27 adds to anticipation with trickling melodies leading back into heavy instrumentation. Stripped back underscore version.
Raw, powerful, rebellious. Expansive atmosphere opens up with the Raw, powerful, rebellious. Expansive atmosphere opens up with the help of daunting melodies and loud bass impacts. Reminiscent of a rebel, someone who takes the world and does what they want with it. Guitar asserts a sharp and possibly villainous sensibility. Large crashing drums create a loud and raucous atmosphere. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space. Male vocals about feeling assured, looking for light to block out the darkness, having an epiphany. Break into heavy rap instrumentation with vocals echoing out from somewhere high and important. Trusting in oneself, doing what you believe is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with determined vocal delivery.歌词
Look around, Realise there’s no better place, See the light in your eyes,
Ain’t no better space, I can glow, I can shine,
Ain’t no better days, Moving boulders out the dark,
So I can See the rays,
All the time try to find, How you had it wrong,
Can you cut yourself some slack?
Cause it's been too long, Turn the Tv channel off,
You don’t need it on,
Take it back to where it’s at,
For you to move along.
Yeah, Up on the the top
Level unlocked,
Why you moving stones?
We keep it loose, We keep it hot,
Making you lose control,
You care bout me? Don’t care a lot,
That’s why I got the flow, Taking it minute by minute, I can’t wait to hit it, I’m running the show, And I know that you notice, I’m on a mission, My weapon is loaded with ammunition,
my mental is right for this very moment,
Don’t need no approval or recognition,
My decisions are based on the feeling of trusting my vision,
I’m charging through all the glass in the ceiling,
I’m showing you facts,
To be exact, I’m here to act,
I’m here to win it!
Look around, Realise there’s no better place, See the light in your eyes, Ain’t no better space, I can glow, I can shine, Ain’t no better days, Moving boulders out the dark, So I can See the rays, All the time try to find, How you had it wrong, Can you cut yourself some slack? Cause it's been too long, Turn the Tv channel off, You don’t need it on, Take it back to where it’s at, For you to move along.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Instrumental version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, visions of a superhero floating in the distance, trusting in themselves. Instrumentation builds alongside ticking percussion. Break into heavy electronic instrumentation. A sense of self assurance, trusting in oneself and doing what you feel is right. Clattering cymbals and percussive FX communicating a sense of chaos, contrasting with triumphant melodies. Stripped back underscore version.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space, launch into sudden serious section with heavy percussion hammering out a sense of intensity and drama. Large riser into climax at 00:55 with war drums and cataclysmic melodies. Stripped back underscore version.
Searching, intense, pacy. Meaningful strings fade in followed by Searching, intense, pacy. Meaningful strings fade in followed by atmospheric percussive FX. Choirs and echoing vocals assert a sense of weight, a climactic situation where important things are on the line. Male voice raps lyrics about trusting in your own vision, a sense of nobility achieved through self-assurance. Confidence meshed with a feeling of importance in gliding melodic bridge with choral voices. Large, sudden breakdown at 01:48 as vocals explode over loud percussion. Lyrics about redemption and determination.歌词
I’m paving ways, I’m paving ways, I’m paving ways, I’m paving ways. 20/20 always acting on my vision,
Party tricks that make a sceptic superstitious,
Good samaritan that follows no religions, Make decisions with my gut, 'Cause that’s the realest, Got the instincts of a killer and a hero, Shoot until I reload, Better be the one above, Then living down and below, Rather die in my own mission, Then in someone’s plan, Rather crash in flight, At least my gravity is zero.
Fade away, fade away, In my weaknesses lie all my greatness, Pave a way for the days, I look up when the sky is so grey, And I say, Pave a way for the myth,
Make a choice when it’s time to be legend,
Sail away to the ocean of choices, It’s now or it’s never.
Take a minute to imagine, What it’s like to make it happen, What it’s like to be the one to reach the top of all these mountains, Need to make the sacrifices, Abandon ship to reach the island,
It’s always better when the big explosions come in from silence.
Being the man that I gotta be, Taking the enemy outta me, Breaking the pieces that parted me,
Because I’m making humanity follow me, Into the void that I kept in the silence, Putting a stop to the tyrants, Thinking of people as sheep,
But you tying a rope on a land full of lions, Never again be in the jade, Was in the way, Now on my way, Was in a whirl, Now on a wave,
Used to be chewed, Now got a key to the train,
Now I’ll be keeping my gains, Letting it out, Outta my veins, Ready to go,
Ready to be in the mode, Ready when you are, Ready to roll, yea!
Take a minute to imagine, What it’s to make it happen, What it’s like to be the one to reach the top of all these mountains, Need to make the sacrifices, Abandon ship to reach the island, It’s always better when the big explosions come in from silence.
Fade away, fade away, In my weaknesses lie all my greatness, Pave a way for the days, I look up when the sky is so gray, And I say; Pave a way for the myth, Make a choice when it’s time to be legend,
Searching, intense, pacy. Meaningful strings fade in followed by Searching, intense, pacy. Meaningful strings fade in followed by atmospheric percussive FX. Choir asserts a sense of weight; a climactic situation where important things are on the line. Large hip-hop drumbeat joined by chirping synths instil a slickness in the midst of weighty melodies. Large, sudden breakdown at 01:48 with explosion of percussion. Instrumental version.
Searching, intense, pacy. Meaningful strings fade in followed by Searching, intense, pacy. Meaningful strings fade in followed by atmospheric percussive FX. Strings assert a sense of weight; a climactic situation where important things are on the line. Large hip-hop drumbeat joined by chirping synths instil a slickness in the midst of weighty melodies. Large, sudden breakdown at 01:48 with explosion of percussion. Stripped back underscore version.
Searching, intense, trippy. Riser launches into euphoric melodies and Searching, intense, trippy. Riser launches into euphoric melodies and deep war drums. Percussion builds a sense of progression, a society of people moving forward proudly. Fizzling synths and rising melodies give a sense of vitality. Stripped back underscore version.
Dramatic, confident, cool. Subtle epic instrumentation begins, rising Dramatic, confident, cool. Subtle epic instrumentation begins, rising up into anticipatory sequence with crackling vocal samples. Launch into EDM drop at 01:28 with trippy synths and large bass. Vocal ad libs and large drums convey a hip-hop energy, conveying confidence and style.
Epic, determined, heroic. Smouldering guitar reaches out alongside Epic, determined, heroic. Smouldering guitar reaches out alongside pads and cool melody. Serious striding energy from dramatic percussion and haunting synth melodies. Climax at 01:08 into more enlightened chord sequence and passionate drums.
Hopeful, redemptive, uplifting. Organic strings bloom with Hopeful, redemptive, uplifting. Organic strings bloom with arpeggiations, leading to serene section with pads. Pulsing bass sounds drive instrumentation forward with a sense of determination into triumphant drums signalling a feeling of magnitude.
Raw, powerful, rebellious. Expansive atmosphere opens up with the Raw, powerful, rebellious. Expansive atmosphere opens up with the help of fiery rock guitar chords. Reminiscent of a rebel, someone who takes the world and does what they want with it. Guitar asserts a sharp and possibly villainous sensibility. Large crashing drums create a loud and raucous atmosphere.
Dramatic, longing, optimistic. Echoing synth pulses out into a Dramatic, longing, optimistic. Echoing synth pulses out into a distant space with a voicelike melody following with it. Shift into determined section with heavy percussion hammering out a sense of intensity and drama. Large riser into climax at 00:55 with war drums and cataclysmic melodies.
Searching, intense, trippy. Euphoric instrumentation from moaning Searching, intense, trippy. Euphoric instrumentation from moaning synths and angelic pads. Percussion builds a sense of progression, a society of people moving forward proudly. Fizzling synths and rising melodies give a sense of vitality.
Attitude, laid-back & swagger hip-hop sung in Spanish & English. Attitude, laid-back & swagger hip-hop sung in Spanish & English. Dedicated to female friends. Female rap singer, electric harpsichord, synth, fx bullet, fx vinyl noise & electronic percussion. Interlude @ 2'17.歌词
ES:
tengo el quinto elemento
represión automática
las niñas de mis ojos
rugen humo mientras bailan
hombros anchos y altas
fuertes como jabatas
mascarillas azules
y unas velas aromáticas
a pesar del chandal somos todas muy románticas
y cada rumba sale directa del anima
donde no hay dinero hay carisma y sociedad
no somos gatas de teoría somos prácticas
somos prácticas
somos prácticas
tenemos el pelo como las lobas árticas
somos prácticas
somos prácticas
las malas tenemos conexión telepática
guárdate para ti toda tu insulsa plática
la noche se presenta juguetona y acida
y he contao' las veces que me has mirao' pasar
no me hagas tener que sumártelas
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
miran de reojo por la rabia
quieren bailar salsa con nosotras para oler la jacaranda
mírale a la cara mientras baja
brujas con sus capsulas letales como efímeras erráticas
es el truco que nunca le falla
fire on the zone cuz she got the sauce got it from her mama
en la pista es como una bala
rapida precisa y luego mata
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
no somos gatas de teoría somos prácticas
somos prácticas
no somos gatas de teoría
EN:
I have the fifth element
automatic repression
the girls of my eyes
roar smoke as they dance
broad-shouldered and tall
strong as jabatas
blue masks
and scented candles
in spite of the tracksuit we are all very romantic
and every party comes straight from the soul
where there is no money there is charisma and society
we are not theory cats we are practical
we are practical
we are practical
we have hair like the arctic she-wolves
we are practical
we are practical
we bad girls have telepathic connection
keep all your dull chatter to yourself
the night comes playful and acidic
and I've counted all the times you've watched me pass by
don't make me have to add them up to you
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
they look sideways out of rage
they want to dance salsa with us just to smell the jacaranda
look at their face as it goes down
witches with their lethal capsules as ephemeral erratics
it's the trick that never fails them
fire on the zone cuz she got the sauce got it from her mama
on the dance floor she' s like a bullet
fast accurate and then kills
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
till we rip our pants
till we rip our pants
till we rip our pants
we are not theory cats we are practical
we are practical
we are not theory cats
Explicit. Attitude, laid-back & swagger hip-hop sung in Spanish. Explicit. Attitude, laid-back & swagger hip-hop sung in Spanish. Dedicated to female friends. Female rap singer, electric harpsichord, synth, fx bullet, fx vinyl noise & electronic percussion. Interlude @ 2'17.歌词
ES:
tengo el quinto elemento
represión automática
las niñas de mis ojos
rugen humo mientras bailan
hombros anchos y altas
fuertes como jabatas
mascarillas azules
y unas velas aromáticas
a pesar del chandal somos todas muy románticas
y cada rumba sale directa del anima
donde no hay dinero hay carisma y sociedad
no somos gatas de teoría somos prácticas
somos prácticas
somos prácticas
tenemos el pelo como las lobas árticas
somos prácticas
somos prácticas
las malas tenemos conexión telepática
guárdate para ti toda tu insulsa plática
la noche se presenta juguetona y acida
y he contao' las veces que me has mirao' pasar
no me hagas tener que sumártelas
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
miran de reojo por la rabia
quieren bailar salsa con nosotras para oler la jacaranda
mírale a la cara mientras baja
brujas y pastillas en la rave como efímeras erráticas
es el truco que nunca le falla
fire on the zone cuz she got the sauce got it from her mama
en la pista es como una bala
rapida precisa y luego mata
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
flacas africanas horas de calor
brillo con mi pana mientras suena el reggaeton
ropa americana, hiperventilación
porque aquí nos lo bailamo' hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
hasta romper el pantalón
no somos gatas de teoría somos prácticas
somos prácticas
no somos gatas de teoría
EN:
I have the fifth element
automatic repression
the girls of my eyes
roar smoke as they dance
broad-shouldered and tall
strong as jabatas
blue masks
and scented candles
in spite of the tracksuit we are all very romantic
and every party comes straight from the soul
where there is no money there is charisma and society
we are not theory cats we are practical
we are practical
we are practical
we have hair like the arctic she-wolves
we are practical
we are practical
we bad girls have telepathic connection
keep all your dull chatter to yourself
the night comes playful and acidic
and I've counted all the times you've watched me pass by
don't make me have to add them up to you
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
they look sideways out of rage
they want to dance salsa with us just to smell the jacaranda
look at their face as it goes down
witches and pills at the rave as ephemeral erratics
it's the trick that never fails them
fire on the zone cuz she got the sauce got it from her mama
on the dance floor she' s like a bullet
fast accurate and then kills
skinny African hours of heat
shining with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
skinny african hours of heat
I shine with my homie while reggaeton plays
American clothes, hyperventilation
because here we dance it till we rip our pants
till we rip our pants
till we rip our pants
till we rip our pants
we are not theory cats we are practical
we are practical
we are not theory cats
Upbeat, swaying & danceable pop sung in Spanish. Flirting in the Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.歌词
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
Dembow version. Upbeat, swaying & danceable pop sung in Spanish. Dembow version. Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.歌词
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop